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With continuous worship of the Lord, by the grace of Mahā-viṣṇu, I travel outside and inside the universe with no obstacles at all.

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COMMENTARY

At the end of thousand yuga cycles means “at the end of the previous kalpa and the beginning of this kalpa.” Marīci and other sages (marīci-miśrā) and I were born from the senses of Brahmā.[26] Jajñire instead of jajñimaha is poetic license.

 

|| 1.6.31 ||

antar bahiś ca lokāṁs trīn paryemy askandita-vrataḥ |

anugrahān mahā-viṣṇor avighāta-gatiḥ kvacit ||

 

TRANSLATION

With continuous worship of the Lord, by the grace of Mahā-viṣṇu, I travel outside and inside the universe with no obstacles at all.

 

COMMENTARY

I am not like Marīci and other sages with material bodies, under the influence of their own karmas, involved in karma-yoga, nor like the Kumāras, involved in jñāna. I am above the paths of material engagement and renunciation; I worship the Lord, and exist independently. This is expressed in this verse. Those who are karma-yogīs do not go beyond the universe. Those who have attained brahman by very difficult austerities do not go into the material universe out of fear of the bondage of karma. But I, fixed in continuous devotion to the Lord, travel outside and inside the universe. Or outside can mean “I travel outside the universe to Vaikuṇṭha.” Thus it is said:

 

sanakādyā nivṛttākhye te ca dharme niyojitāḥ |  

pravṛttākhye marīcādyā muktaikaṁ nāradaṁ munim ||  

 

The Kumāras are in the path of detachment and Marīci and others are enaged in the path of material life. Only Nārada is liberated. Narasiṁha Purāṇa

 

|| 1.6.32 ||

deva-dattām imāṁ vīṇāṁ svara-brahma-vibhūṣitām |

mūrcchayitvā hari-kathāṁ gāyamānaś carāmy aham ||

 

TRANSLATION

Playing mūrcchanas and ālāpas on the vīṇa given by the Lord, using the seven sacred notes of the scale, I wander about singing the glories of the Lord.

 

COMMENTARY

Nārada’s paraphernalia, not available to any other person in the material world, is also constantly with him at all times wherever he goes. That is explained in two verses. The vīṇa was given by Kṛṣṇa. This is narrated in the Liṅga Purāṇa. Svara refers to the seven notes of the scale. Because they manifest brahman (the Lord) they are called brahma (svara-brahma). Mūrcchayaitvā means that he played music filled with mūrcchana, ālāpa and other expressive modes.

 

|| 1.6.33 ||

pragāyataḥ sva-vīryāṇi tīrtha-pādaḥ priya-śravāḥ |

āhūta iva me śīghraṁ darśanaṁ yāti cetasi ||



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