Заглавная страница Избранные статьи Случайная статья Познавательные статьи Новые добавления Обратная связь FAQ Написать работу КАТЕГОРИИ: АрхеологияБиология Генетика География Информатика История Логика Маркетинг Математика Менеджмент Механика Педагогика Религия Социология Технологии Физика Философия Финансы Химия Экология ТОП 10 на сайте Приготовление дезинфицирующих растворов различной концентрацииТехника нижней прямой подачи мяча. Франко-прусская война (причины и последствия) Организация работы процедурного кабинета Смысловое и механическое запоминание, их место и роль в усвоении знаний Коммуникативные барьеры и пути их преодоления Обработка изделий медицинского назначения многократного применения Образцы текста публицистического стиля Четыре типа изменения баланса Задачи с ответами для Всероссийской олимпиады по праву Мы поможем в написании ваших работ! ЗНАЕТЕ ЛИ ВЫ?
Влияние общества на человека
Приготовление дезинфицирующих растворов различной концентрации Практические работы по географии для 6 класса Организация работы процедурного кабинета Изменения в неживой природе осенью Уборка процедурного кабинета Сольфеджио. Все правила по сольфеджио Балочные системы. Определение реакций опор и моментов защемления |
Состояний: поиски базовых эмоцийСодержание книги
Поиск на нашем сайте
Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010. Bradley, M. M., and D. Sabatinelli Startle reflex modulation: Perception, attention, and emotion / In: Experimental Methods in Neuropsychology. K. Hugdahl, ed. Norwell, MA: Kluwer Academic Publishers, 2003. P. 78. Changeux, J. P. Art and neuroscience // Leonardo 27 (3) 1994: 189–201. Chartrand, T. L., and J. A. Bargh The chameleon effect: The perception-behavior link and social interaction // Journal of Personality and Social Psychology 76 (6) 1999: 893–910. Damasio, A. R. The Feeling of What Happens: Body and Emotion In the Making of Consciousness. Boston: Mariner Books, 1999. Darwin, C. On the Origin of Species by Means of Natural Selection. New York: Appleton-Century-Crofts, 1859. Darwin, C. The Descent of Man and Selection in Relation to Sex. New York: Appleton-Century-Crofts, 1871. Darwin, C. The Expression of the Emotions in Man and Animals. New York: Appleton-Century-Crofts, 1872. Descartes, R. Treatise on the Passions of the Soul (1694). The Philosophical Works of Descartes. Cambridge University Press. 1967. Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York and Oxford: Oxford University Press, 1986. Ekman, P. The argument and evidence about universals in facial expressions of emotion / In: Handbook of Psychophysiology: Emotion and Social Behavior. H. Wagner, A. Manstead, ed. London: John Wiley & Sons, 1989. Pp. 143–164. Freud, S. An Outline of Psycho-Analysis. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XXIII. London: Hogarth Press, 1964. Pp. 139–208. Freud, S. Collected Papers. Vol. IV. London: Hogarth Press and Institute of Psychoanalysis, 1950. Gay, P. The Freud Reader. New York: W. W. Norton, 1989. Gombrich, E. H. The Story of Art. London: Phaidon Press, 1955. Helmholtz, H. von Treatise on Physiological Optics (1910). Southall, J. P. C., editor & translator. New York: Dover, 1925. Iverson, S., Kupfermann, I., and E. R. Kandel Emotional States and Feelings / In: Principles of Neural Science. 4th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, eds. New York: McGraw-Hill, 2000. Pp. 982–997. James, W. The Principles of Psychology. Cambridge, MA, and London: Harvard University Press, 1890. Kant, I. Groundwork for the Metaphysics of Morals (1785). New York: Cambridge University Press, 1998. Kemball, R. Art in Darwin’s terms // Times Literary Supplement, March 20, 2009. Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952. Lang, P. J. The emotion probe: Studies of motivation and attention // American Psychologist 50 (5) 1995: 272–285. Panofsky, E. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boulder, CO: Westview Press, 1939. Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science Magazine 296 (5571) 2002: 1321–1323. Rolls, E. T. Emotion Explained. New York: Oxford University Press, 2005. Silva, P. J. Emotional response to art: From collation and arousal to cognition and emotion // Review of General Psychology 90 (2005): 342–357. Slaughter, V., and M. Heron Origins and early development of human body knowledge // Monographs of the Society for Research in Child Development 69 (2) 2004: 103–113. Solms, M., and E. Nersessian Freud’s theory of affect: Questions for neuroscience // Neuropsychoanalysis 1 (1999): 5–14. Sousa, R. de Emotion / In: The Stanford Encyclopedia of Philosophy. E. N. Zalta, ed. Stanford, CA: Metaphysics Research Lab, 2010. Strack, F., Martin, L. L., and S. Stepper Inhibiting and facilitating conditions of the human smile: A nonobtrusive test of the facial feedback hypothesis // Journal of Personality and Social Psychology 54 (5) 1988: 768–777.
Глава 20. Передача эмоций Художественными средствами
Aiken, N. E. Physiognomy and art: Approaches from above, below, and sideways // Visual Art Research 10 (1984): 52–65. Barnett, J. R., Miller, S., and E. Pearce Colour and art: A brief history of pigments // Optics and Laser Technology 38 (2006): 445–453. Chartrand, T. L., and J. A. Bargh The chameleon effect: The perception-behavior link and social interaction // Journal of Personality and Social Psychology 76 (6) 1999: 893–910. Damasio, A. Descartes’ Error: Emotion, Reason, and the Human Brain. New York: G. P. Putnam’s Sons, 1994. Darwin, C. The Expression of the Emotions in Man and Animals. New York: Appleton-Century-Crofts, 1872. Downing, P. E., Jiang, Y., Shuman, M., and N. Kanwisher A cortical area selective for visual processing of the human body // Science 293 (5539) 2001: 2470–2473. Ekman, P. Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life. New York: Owl Books, 2003. Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell Publishing, 1989. Gage, J. Color in Art. London: Thames and Hudson, 2006. Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. Javal, E. Physiologie de la Lecture et de l’Écriture. Paris: Felix Alcan, 1906. Langton, S. R. H., Watt, R. J., and V. Bruce Do the eyes have it? Cues to the direction of social attention // Trends in Cognitive Science 4 (2000): 50–59. Livingstone, M. Vision and Art: The Biology of Seeing. New York: Harry N. Abrams, 2002. Livingstone, M., and D. Hubel Segregation of form, color, movement, and depth: Anatomy, physiology, and perception // Science 240 (1988): 740–749. Lotto, R. B., and D. Purves Perceiving color // Review of Progress in Coloration 34 (2004): 12–25. Marks, W. B., Dobelle, W. H., and E. F. MacNichol Visual pigments of single primate cones // Science 13 (1964): 1181–1182. Molnar, F. About the role of visual exploration in aesthetics / In: Advances in Intrinsic Motivation and Aesthetics. H. Day, ed. New York: Plenum, 1981. Natter, T. G., ed. Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. Köln: Dumont Buchverlag, 2002. Nodine, C. F., Locher, P. J., and E. A. Krupinski The role of formal art training on perception and aesthetic judgment of art compositions // Leonardo 26 (3) 1993: 219–227. Pelphrey, K. A., Morris, J. P., and G. McCarthy Grasping the intentions of others: The perceived intentionality of an action influences activity in the superior temporal sulcus during social perception // Journal of Cognitive Neuroscience 16 (10) 2004: 1706–1716. Pirenne, M. H. Rods and cones and Thomas Young’s theory of color vision // Nature 154 (1944): 741–742. Puce, A., Allison, T., Bentin, S., Gore, J. C., and G. McCarthy Temporal cortex activation in humans viewing eye and mouth movements // Journal of Neuroscience 18 (1998): 2188–2199. Sacco, T., and B. Sacchetti Role of secondary sensory cortices in emotional memory storage and retrieval in rats // Science 329 (2010): 649–656. Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14. Slaughter, V., and M. Heron Origins and early development of human body knowledge // Monographs of the Society for Research in Child Development 69 (2) 2004: 103–113. Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, Bradford Books, 1994. Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2008.
|
|||||
Последнее изменение этой страницы: 2017-01-20; просмотров: 435; Нарушение авторского права страницы; Мы поможем в написании вашей работы! infopedia.su Все материалы представленные на сайте исключительно с целью ознакомления читателями и не преследуют коммерческих целей или нарушение авторских прав. Обратная связь - 3.14.255.58 (0.007 с.) |