II – 41. Непосредственно перед принятием решения в мозге наблюдается высо-кочастотная (гамма-) активность все в той же передней части верхней височной извилины правого полушария.

 

 

[1]Посвящается Дениз – как всегда (фр.).

 

[2]Римская цифра обозначает номер цветной вкладки, арабская – номер иллюстрации. – Прим. ред.

 

[3]Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 13.

 

[4]Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 76.

 

[5]Gombrich, E. H. Reflections on the History of Art. R. Woodfield, ed. Berkeley, CA: University of California Press, 1987. P. 211.

 

[6]Robinson, P. Freud and His Critics. Berkeley: University of California Press, 1993. P. 271.

 

[7]Nuland, S. B. The Doctors’ Plague: Germs, Childbed Fever, and the Strange Story of Ignac Semmelweis. New York: W. W. Norton, 2003. Pp. 64–65.

 

[8]Ackerknecht, E. H. Medicine at the Paris Hospital 1794–1848. Baltimore: Johns Hopkins University Press, 1963. P. 123.

 

[9]Rokitansky, O. Carl Freiherr von Rokitansky zum 200 Geburtstag: Eine Jubilaumgedenkschrift // Wiener Klinische Wochenschrift 116 (23) 2004: 772–778.

 

[10]Nuland, S. B. The Doctors’ Plague: Germs, Childbed Fever, and the Strange Story of Ignac Semmelweis. New York: W. W. Norton, 2003. P. 64.

 

[11]Lesky, E. The Vienna Medical School of the 19 th Century. Baltimore: Johns Hopkins University Press, 1976. P. 120.

 

[12]Ibid., p. 360.

 

[13]Springer, K. Philosophy and Science / In: Vienna 1900: Art, Life and Culture. C. BrandstAtter, ed. New York: Vendome Press, 2005. P. 364.

 

[14]Bilski, E. D., and E. Braun Jewish Women and Their Salons: The Power of Conversation. New Haven: The Jewish Museum and Yale University Press, 2005. P. 96.

 

[15]Ibid., p. 87.

 

[16]Kallir, J. Who Paid the Piper: The Art of Patronage in Fin-de-Siecle Vienna. New York: Galerie St. Etienne, 2007.

 

[17]Braun, E. Ornament and Evolution: Gustav Klimt and Berta Zuckerkandl / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 162.

 

[18]Ibid., p. 155.

 

[19]Ibid., p. 153.

 

[20]Ibid., p. 163.

 

[21]Buklijas, Tatjana The Politics of Fin-de-Siecle Anatomy / In: The Nationalization of Scientific Knowledge in the Habsburg Empire. Ash, M. G., and J. Surman, eds. Basingstoke, U. K.: Palgrave MacMillan, 2012. P. 209.

 

[22]Lesky, E. The Vienna Medical School of the 19 th Century. Baltimore: Johns Hopkins University Press, 1976. P. 5.

 

[23]Ibid., p. 335.

 

[24]Gay, P. Schnitzler’s Century: The Making of Middle-Class Culture 1815–1914. New York: W. W. Norton, 2002. P. 67.

 

[25]Wettley, A., and W. Leibbrand Von der Psychopathia Sexualis zur Sexualwissenschaft. Stuttgart: Ferdinand Enke Verlag, 1959.

 

[26]Здесь и далее “Автобиография” З. Фрейда цитируется в пер. М. Харитонова. – Прим. пер.

 

[27]Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. Pp. 14–15.

 

[28]Wittels, F. Freud’s Scientific Cradle // American Journal of Psychiatry 100 (1944): 521–522.

 

[29]Sulloway, F. J. Freud, Biologist of the Mind: Beyond the Psychoanalytic Legend. New York: Basic Books, 1979. P. 14.

 

[30]Freud, S. The Question of Lay Analysis: Conversations with an Impartial Person. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1950. P. 90.

 

[31]Jones, E. The Life and Work of Sigmund Freud. Vol. III: The Last Phase: 1919–1939. New York: Basic Books, 1981. P. 223.

 

[32]Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 137.

 

[33]Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. P. 19.

 

[34]Gay, P. The Freud Reader. New York: W. W. Norton, 1989. Pp. 11–12.

 

[35]Freud, S. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. III. Pp. 18–19.

 

[36]Freud, S. An Autobiographical Study. The Standard Edition of the Complete Psychological Works of Sigmund Freud. New York: W. W. Norton, 1952. P. 30.

 

[37]Ibid., p. 14.

 

[38]Ibid., p. 41.

 

[39]Freud, S. Heredity and the Aetiology of the Neuroses // Revue Neurologique 4 (1896): 148.

 

[40]Freud, S., and J. Breuer Studies on Hysteria. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. II. London: Hogarth Press, 1955. P. 54.

 

[41]Freud, S. On Aphasia: A Critical Study. Great Britain: Imago Publishing, 1953. P. 55.

 

[42]Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 21.

 

[43]Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 11.

 

[44]Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 134.

 

[45]Freud, S. On Narcissism. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XIV. London: Hogarth Press, 1957. P. 78.

 

[46]Freud, S. Beyond the Pleasure Principle. Цит. по кн: Kandel, E. Psychiatry, Psychoanalysis, and the New Biology of Mind. Arlington, VA: American Psychiatric Publishing, 2005. P. 63.

 

[47]Neisser, U. Cognitive Psychology. New York: Appleton-Century-Crofts, 1967. P. 4.

 

[48]Gombrich, E., and D. Eribon Looking for Answers: Conversations on Art and Science. New York: Harry N. Abrams, 1993. P. 133.

 

[49]Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. XXVI.

 

[50]Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 351.

 

[51]Ibid., p. 213.

 

[52]Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. 6.

 

[53]Ibid.

 

[54]Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 131.

 

[55]Ibid., p. 139.

 

[56]Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 163.

 

[57]Freud, S. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. IV. London: Hogarth Press, 1953. P. 121.

 

[58]Freud, S. The Origins of Psychoanalysis: Letters to Wilhelm Fliess. M. Bonaparte, A. Freud, and E. Kris, eds., intro. by E. Kris. New York: Basic Books, 1954. P. 323.

 

[59]Freud, S. The Interpretation of Dreams. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vols. IV, V. London: Hogarth Press, 1953. P. 2.

 

[60]Brenner, C. An Elementary Textbook of Psychoanalysis. New York: International Universities Press, 1973. P. 2.

 

[61]Kris, A. O. Free Association: Method and Process. New Haven: Yale University Press, 1982.

 

[62]Freud, S., and J. Breuer Studies on Hysteria. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. II. London: Hogarth Press, 1955. Pp. 160–161.

 

[63]Gay, P. The Freud Reader. New York: W. W. Norton, 1989. P. 287.

 

[64]Freud, S. An Outline of Psycho-Analysis. New York: W. W. Norton, 1949. P. 70.

 

[65]Schafer, R. Problems in Freud’s Psychology of Women // Journal of the American Psychoanalytic Association 22 (1974): 483–484.

 

[66]Пер. А. Кулишер. – Прим. пер.

 

[67]Schnitzler, A. Lieutenant Gustl / In: Bachelors: Novellas and Stories. Chicago: Ivan Dee, 2006. P. 134.

 

[68]Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 11.

 

[69]Jones, E. The Life and Work of Sigmund Freud. Vol. III: The Last Phase: 1919–1939. New York: Basic Books, 1957. Appendix A, pp. 443–444.

 

[70]Barney, E. Egon Schiele’s Adolescent Nudes within the Context of Fin-de-Siecle Vienna. 2008. См.: www.emilybarney.com/essays.html.

 

[71]Freud, S. Fragment of an Analysis of a Case of Hysteria / In: Collected Papers, Vol. III. E. Jones, ed. London: Hogarth Press, 1905.

 

[72]Здесь и далее пер. И. Мандельштама. – Прим. пер.

 

[73]Schnitzler, A. Desire and Delusion: Three Novellas. M. Schaefer, translator & editor. Chicago: Ivan Dee, 2003. P. 224.

 

[74]Ibid., p. 225.

 

[75]Yates, W. E. Schnitzler, Hofmannsthal, and the Austrian Theater. New Haven: Yale University Press, 1992. Pp. 125–126.

 

[76]Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.

 

[77]Ibid., p. 250.

 

[78]Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.

 

[79]Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.

 

[80]Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.

 

[81]Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.

 

[82]Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.

 

[83]Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.

 

[84]Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.

 

[85]Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.

 

[86]Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.

 

[87]Ibid., p. 84.

 

[88]Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.

 

[89]Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.

 

[90]Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.

 

[91]Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 59.

 

[92]Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990. P. 18.

 

[93]Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.

 

[94]Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.

 

[95]Ibid., p. 66.

 

[96]Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.

 

[97]Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.

 

[98]Ibid., p. 102.

 

[99]Ibid., p. 38.

 

[100]Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.

 

[101]Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.

 

[102]Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.

 

[103]Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.

 

[104]Ibid., p. 76.

 

[105]Пер. П. Мелковой. – Прим. пер.

 

[106]Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.

 

[107]Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.

 

[108]Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. Pp. 429–430.

 

[109]Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.

 

[110]Ibid.

 

[111]Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.

 

[112]Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 33–34.

 

[113]Ibid., p. 31.

 

[114]Ibid., p. 60.

 

[115]Ibid., p. 37.

 

[116]Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.

 

[117]Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.

 

[118]Пер. В. Крючковой. – Прим. пер.

 

[119]Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 431.

 

[120]Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.

 

[121]Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.

 

[122]Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. P. 32.

 

[123]Danto, A. C. Live flesh // The Nation, January 23, 2006.

 

[124]Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.

 

[125]Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. Pp. 50–51.

 

[126]Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 234–235.

 

[127]Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.

 

[128]Arnheim, R. Art History and the Partial God // Art Bulletin 44 (1962): 75.

 

[129]Empson, W. Seven Types of Ambiguity. New York: Harcourt, Brace, 1930. P. x.

 

[130]Kuspit, D. A Little Madness Goes a Long Creative Way // Artnet, October 7, 2010. См.: http://www.artnet.com/magazineus/features/kuspit/franz-xaver-messerschmidt10-7-10.asp.

 

[131]Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 11.

 

[132]Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960

 

[133]Kris, E., and E. Gombrich Caricature. Неопубликованная рукописть из архива Э. Гомбриха (Archive of E. H. Gombrich Estate, Warburg Institute, London). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature. Неопубликованная рукопись, 2011.

 

[134]King, D. B., and M. Wertheimer Max Wertheimer and Gestalt Theory. New Brunswick, NJ, and London: Transaction Publishers, 2004. P. 378.

 

[135]Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 15.

 

[136]Henle, M. 1879 and All That: Essays in the Theory and History of Psychology. New York: Columbia University Press, 1986. P. 24.

 

[137]Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 40.

 

[138]Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 5.

 

[139]Ibid., p. 24.

 

[140]Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.

 

[141]Novotny, F. Cezanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s. C. S. Wood, ed. New York: Zone Books, 2000. P. 424.

 

[142]Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 6.

 

[143]Crick, F. The Astonishing Hypothesis: The Scientific Search for the Soul. New York: Charles Scribner’s Sons, 1994. P. 32.

 

[144]Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.

 

[145]Zeki, S. Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press, 2001. P. 113.

 

[146]Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 212.

 

[147]Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301.

 

[148]Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. Pз. 2–3.

 

[149]Tsao, D. Y., and M. S. Livingstone Mechanisms of face perception // Annual Review of Neuroscience 31 (2008): 411.

 

[150]Exploratorium Mona: Exploratorium Exhibit. См.: http://www.exploratorium.edu/exhibits/mona/mona.html.

 

[151]Morton, J., and M. H. Johnson Biology and Cognitive Development: The Case of Face Recognition. Oxford: Blackwell Publishing, 1991.

 

[152]Meltzoff, A. N., and M. K. Moore Imitation of Facial and Manual Gestures by Human Neonates // Science 198, no. 4312 (1977): 75–78.

Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science 296 (5571) 2002: 1321–1323.

 

[153]Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.

 

[154]Gelder, B., de Towards the neurobiology of emotional body language // Nature Reviews Neuroscience 7 (3) 2006: 242.

 

[155]Mamassian, P. Ambiguities and conventions in the perception of visual art // Vision Research 48 (2008): 2149.

 

[156]Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 304.

 

[157]Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010. P. 521.

 

[158]Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1995. P. 190.

 

[159]Slaughter, V., and M. Heron Origins and Early Development of Human Body Knowledge // Monographs of the Society for Research in Child Development 69, no. 2 (2004): 103–113.

 

[160]Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.

 

[161]Ibid., p. 95.

 

[162]Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, 1994. P. 155.

 

[163]Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.

 

[164]Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.

 

[165]Ibid., p. 53.

 

[166]Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 127.

 

[167]Пер. П. Мелковой. – Прим. пер.

 

[168]Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.

 

[169]Пер. П. Мелковой. – Прим. пер.

 

[170]Ibid., p. 51.

 

[171]Пер. П. Мелковой. – Прим. пер.

 

[172]Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 273.

 

[173]Ibid., p. 276.

 

[174]Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2009. P. 39.

 

[175]James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. P. 474.

 

[176]Damasio, A. Descartes’ Error: Emotion, Reason and the Human Brain. New York: G. P. Putnam Sons, 1994. P. 129.

 

[177]James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.

 

[178]Ibid., p. 449.

 

[179]MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage. Cambridge, MA: MIT Press, 2000. P. 114.

 

[180]Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.

 

[181]Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution. New York: Bloomsbury Press, 2009. P. 6.

 

[182]Ibid.

 

[183]Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954. New York: Alfred A. Knopf, 2007. P. 26.

 

[184]Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.

 

[185]Ibid.

 

[186]Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.

 

[187]Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. Pp. 77–78.

 

[188]Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.

 

[189]Ibid., p. 242.

 

[190]Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. P. 80.

 

[191]Пер. М. Лозинского. – Прим. пер.

 

[192]Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.

 

[193]Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.

 

[194]Ibid.

 

[195]Ibid., p. 177.

 

[196]Aiken, N. E. The Biological Origins of Art. Westport, CT: Praeger, 1998. P. 169.

 

[197]Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.

 

[198]Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.

 

[199]Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.

 

[200]Ibid., p. 15.

 

[201]Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993. P. 298.

 

[202]Holton, G. The Scientific Imagination: Case Studies. London: Cambridge University Press. Pp. 231–232.

 

[203]Podro, M. Depiction. New Haven: Yale University Press, 1998. P. VI.

 

[204]Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 300.

 

[205]Gardner, H. Creating Minds. P. 36.

 

[206]Sinha, P., Balas, B., Ostrovsky, Y., and R. Russell Face Recognition by Humans: Nineteen Results All Computer Vision Researchers Should Know About // Proceedings of the IEEE 94, no. 11 (2006): 1948.

 

[207]В. Рамачандран, из неопубликованной переписки с коллегой.

 

[208]Gardner, H. Five Minds for the Future. Boston: Harvard Business School Press, 2006. P. 80.

 

[209]Ibid., pp. 80–81.

 

[210]Д. Н. Смирнов (О тайнах творческого процесса в музыке // Музыкальная академия, 2002 (2): 39–48) указывает, что цитируемое письмо, приписываемое Моцарту, – подделка. Рус. пер. приводится по тексту указанной статьи, где написано, что он восходит к книге: Адамар Ж. Исследование психологии процесса изобретения в области математики. М., 1970. – Прим. пер.

 

[211]Andreasen, N. C. The Creating Brain: The Neuroscience of Genius. New York: Dana Press, 2005. P. 40.

 

[212]Ramachandran, V. A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers. New York: Pearson Education, 2004. P. 51.

 

[213]Пер. Ю. Айхенвальда, сверенный и уточненный Т. Молчановой и Н. Трубниковой. – Прим. пер.

 

[214]Schopenhauer, A. Essays and Aphorisms. London: Penguin Books, 1970. Pp. 123–124.

 

[215]Gardner, H. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1982. P. 321.

 

[216]Пер. А. Логвинской. – Прим. пер.

 

[217]Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.

 

[218]Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 195.

 

[219]Humphrey, N. Cave Art, Autism and the Evolution of the Human Mind // Cambridge Archeological Journal 8 (1998): 176.

 

[220]Ibid., p. 171.

 

[221]Здесь и далее цитаты из книги О. Сакса “Антрополог на Марсе” в пер. А. Николаева. – Прим. пер.

 

[222]Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 203.

 

[223]Ibid., p. 206.

 

[224]Ibid., p. 203.

 

[225]Ibid., p. 206.

 

[226]Пер. А. Свирид. – Прим. пер.

 

[227]Gardner, H. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1993. P. 63.

 

[228]Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 229.

 

[229]Jamison, K. R. Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. New York: Free Press, 1993. P. 55.

 

[230]Jamison, K. R. Exuberance: The Passion for Life. New York: Vintage Books; Random House, 2004. P. 126.

 

[231]Ibid., p. 127.

 

[232]Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996. P. 379.

 

[233]Snow, C. P. The Two Cultures: A Second Look. New York: Cambridge University Press, 1963. P. 100.

 

[234]Berlin, I. Concepts and Categories: Philosophical Essays. London: Hogarth Press, 1978. P. 159.

 

[235]Greene, B. The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. New York: Vintage Books, 1999. P. 3.

 

[236]Gould, S. J. The Hedgehog, the Fox, and the Magister’s Pox. New York: Harmony Books, 2003. P. 195.

 

[237]Johnson, G. The Ten Most Beautiful Experiments. New York: Vintage Books, 2009. P. 17.