Заглавная страница Избранные статьи Случайная статья Познавательные статьи Новые добавления Обратная связь FAQ Написать работу КАТЕГОРИИ: АрхеологияБиология Генетика География Информатика История Логика Маркетинг Математика Менеджмент Механика Педагогика Религия Социология Технологии Физика Философия Финансы Химия Экология ТОП 10 на сайте Приготовление дезинфицирующих растворов различной концентрацииТехника нижней прямой подачи мяча. Франко-прусская война (причины и последствия) Организация работы процедурного кабинета Смысловое и механическое запоминание, их место и роль в усвоении знаний Коммуникативные барьеры и пути их преодоления Обработка изделий медицинского назначения многократного применения Образцы текста публицистического стиля Четыре типа изменения баланса Задачи с ответами для Всероссийской олимпиады по праву Мы поможем в написании ваших работ! ЗНАЕТЕ ЛИ ВЫ?
Влияние общества на человека
Приготовление дезинфицирующих растворов различной концентрации Практические работы по географии для 6 класса Организация работы процедурного кабинета Изменения в неживой природе осенью Уборка процедурного кабинета Сольфеджио. Все правила по сольфеджио Балочные системы. Определение реакций опор и моментов защемления |
IV. Supply the required word from the text.Содержание книги
Поиск на нашем сайте
1. The storm... and the skipper took his boat. 2. We anchored on the... of one or other of them. 3. He slept only in... 4. He was a man of over seventy, very bald,... 5. Behind was an enclosed... 6. He was nothing but a narrow, ignorant and cantanker ous... V. Explain the meaning of the word «lugger». VI. Comment on the stylistic devices used in the following fragments: 1. He engaged four Torres Straits islanders as crew... 2. Thirty years before, he had been an able seaman on a sailing vessel that was wrecked in those treacherous waters. 3. He was absolutely fixed in his determination to stay, entirely by himself, in that lonely place. 4. A strange man and a strange story. 5. They bring him papers, bags of flour and rice... 6. For all he knew, a terrible epidemic had killed off the entire human race and he was the only man alive. 7.... before we sighted the hermit's little kingdom. 8. He wore dungarees and a singlet, patched, but neat 9. He accepted our gifts as a right, without thanks... 10. He repeated it over and over again. 11. and the island once more be deserted of man.
. Questions for discussion: From whose person is the story told and what effect is achieved by it? What is the plot of the story centred around? What does the narrator tell about the hermit? What feelings had the narrator towards him? Where did Harry live? How does the narrator account for the detailed description of the place where they lived? What is your opinion of this description? Motivate your opinion. Why did the sea-faring man was afraid of his fellow-men? Describe Harry's behaviour. How can you account for the title of the story? What do you think about the style of the story?
Exercise I. Analyse the given cases of metaphor from all sides mentioned above—semantics, originality, expressiveness, syntactic function, vividness and elaboration of the created image. Pay attention to the manner in which two objects (actions) are identified: with both named or only one—the metaphorized one— presented explicitly:
1. She looked down on Gopher Prairie. The snow stretching without break from street to devouring prairie beyond, wiped out the town's pretence of being a shelter. The houses were black specks on a white sheet. (S. L.) 2. And the skirts! What a sight were those skirts! They were nothing but vast decorated pyramids; on the summit of each was stuck the upper half of a princess. (A. B.) 3. I was staring directly in front of me, at the back of the driver's neck, which was a relief map of boil scars. (S.) 4. She was handsome in a rather leonine way. Where this girl was a lioness, the other was a panther-lithe and quick. (Ch.) 5. His voice was a dagger of corroded brass. (S. L.) 6. Wisdom has reference only to the past. The future remains for ever an infinite field for mistakes. You can't know beforehand. (D. H. L.) 7. He felt the first watery eggs of sweat moistening the palms of his hands. (W. S.) 8. At the last moment before the windy collapse of the day, I myself took the road down. (Jn. H.) 9. The man stood there in the middle of the street with the deserted dawnlit boulevard telescoping out behind him. (T. H.) 10. Leaving Daniel to his fate, she was conscious of joy springing in her heart. (A. B.) 11. He smelled the ever-beautiful smell of coffee imprisoned in the can. (J. St.) 12. We talked and talked and talked, easily, sympathetically, wedding her experience with my articulation. (Jn.B.) 13. "We need you so much here. It's a dear old town, but it's a rough diamond, and we need you for the polishing, and we're ever so humble...". (S. L.) 14. They walked along, two continents of experience and feeling, unable to communicate. (W. G.) 15. Geneva, mother of the Red Cross, hostess of humanitarian congresses for the civilizing of warfare! (J. R.) 16. She and the kids have filled his sister's house and their welcome is wearing thinner and thinner. (U.) 17. Notre Dame squats in the dusk. (H.) 18. I am the new year. I am an unspoiled page in your book of time. I am your next chance at the art of living. I am your opportunity to practice what you have learned during the last twelve months about life. All that you sought the past year and failed to find is hidden in me; I am waiting for you to search it out again and with more determination. All the good that you tried to do for others and didn't achieve last year is mine to grant-providing you have fewer selfish and conflicting desires. In me lies the potential of all that you dreamed but didn't dare to do, all that you hoped but did not perform, all you prayed for but did not yet experience. These dreams slumber lightly, waiting to be awakened by the touch of an enduring purpose. I am your opportunity. (T. H.) 19. Autumn comes And trees are shedding their leaves, And Mother Nature blushes Before disrobing. (N. W.) 20. He had hoped that Sally would laugh at this, and she did, and in a sudden mutual gush they cashed into the silver of laughter all the sad secrets they could find in their pockets. (U.) Exercise II. Indicate metonymies, state five type of relations between the object named and the object implied, which they represent, also pay attention to the degree of their originality, and to their syntactical function: 1. He went about her room, after his introduction, looking at her pictures, her bronzes and clays, asking after the creator of this, the painter of that, where a third thing came from. (Dr.) 2. She wanted to have a lot of children, and she was glad that things were that way, that the Church approved. Then the little girl died. Nancy broke with Rome the day her baby died. It was a secret break, but no Catholic breaks with Rome casually. (J. O'H.) 3. "Evelyn Glasgow, get up out of that chair this minute." The girl looked up from her book. "What's the matter?" "Your satin. The skirt'll be a mass of wrinkles in the back." (E.F.) 4. Except for a lack of youth, the guests had no common theme, they seemed strangers among strangers; indeed, each face, on entering, had struggled to conceal dismay at seeing others there. (T. C.) 5. She saw around her, clustered about the white tables, multitudes of violently red lips, powdered cheeks, cold, hard eyes, self-possessed arrogant faces, and insolent bosoms. (A. B.) 6. Dinah, a slim, fresh, pale eighteen, was pliant and yet fragile. (C. H.) 7. The man looked a rather old forty-five, for he was already going grey. (K. P.) 8. The delicatessen owner was a spry and jolly fifty. (T. R.) 9. "It was easier to assume a character without having to tell too many lies and you brought a fresh eye and you brought a fresh eye and mind to the job." (P.) 10. "Some remarkable pictures in this room, gentlemen. A Holbein, two Van Dycks and if I am not mistaken, a Velasquez. I am interested in pictures." (Ch.) 11. "You have nobody to blame but yourself." "The saddest words of tongue or pen." (I. Sh.) 12. For several days he took an hour after his work to make inquiry taking with him some examples of his pen and inks. (Dr.) 13. There you are at your tricks again. The rest of them do earn their bread; you live on my charity. (E. Br.) 14. I crossed a high toll bridge and negotiated a no man’s land and came to the place where the Stars and Stripes stood shoulder to shoulder with the Union Jack. (J. St.) 15. The praise was enthusiastic enough to have delighted any common writer who earns his living by his pen, (S. M.) 16. Hemade his way through the perfume and conversation. (I.Sh.) 17. His mind was alert and people asked him to dinner not for old times' sake, but because he was worth his salt. (S. M.) 18. Up the Square, from the corner of King Street, passed a woman in a new bonnet with pink strings, and a new blue dress that sloped at the shoulders and grew to a vast circumference at the hem. Through the silent sunlit solitude of the Square this bonnet and this dress floated northwards in search of romance. (A. B.) 19. Two men in uniforms were running heavily to the Administration building. As they ran. Christian saw them throw awaytheir rifles. They were portly men who looked like advertisements for Munich beer, and running came hard to them. The first prisoner stopped and picked up one of the discarded rifles. He did not fire it, but carried it, as he chased the guards. He swung the rifle like a club, and one of the beer advertisements went down (I. Sh.)
Exercise III. Analyse various cases of play on words, indicate which type is used, how it is created, what effect it adds to the utterance: 1. After a while and a cake he crept nervously to the door of the parlour. (A. T.) 2. There are two things I look for in a man. A sympathetic character and full lips. (I. Sh.) 3. Dorothy at my statement had clapped her hand over mouth to hold down laughter and chewing gum. (Jn. B.) 4. I believed all men were brothers; she thought all men were husbands. I gave the whole mess up. (Jn. B.) 5. In December, 1960, Naval Aviation News, a well-known special publication, explained why "a ship" is referred to as "she": Because there's always a bustle around her, because there's usually a gang of men with her, because she has waist and stays; because it takes a good man to handle her right; because she shows her topsides, hides her bottom and when coming into port, always heads for the buyos." (N.) 6.When I am dead, I hope it may be said: "His sins were scarlet, but his books were read." (H. B.) 7. Most women up London nowadays seem to furnish their rooms with nothing but orchids, foreigners and French novels. (O. W.) 8. I'm full of poetry now. Rot and poetry. Rotten poetry. (H.) 9. "Bren, I'm not planning anything. I haven't planned a thing in three years... I’m-I’m not a planner. I'm a liver." "I'm a pancreas," she said. "I'm a-" and she kissed the absurd game away. (Ph. R.) 10. "Someone at the door," he said, blinking. "Some four, I should say by the sound," said Fili. (A. T.) 11. He may be poor and shabby, but beneath those ragged trousers beats a heart of gold. (E.) 12. Babbitt respected bigness in anything: in mountains, jewels, muscles, wealth or words. (S. L.) 13. Men, pals, red plush seats, white marble tables, waiters in white aprons. Miss Moss walked through them all. (M.) 14. My mother was wearing her best grey dress and gold brooch and a faint pink flush under each cheek bone. (W. Gl.) 15. Hooper laughed and said to Brody, "Do you mind if I give Ellen something?" "What do you mean?" Brody said. He thought to himself, give her what? A kiss? A box of chocolates? A punch in the nose? "A present. It's nothing, really." (P. B.) 16. "There is only one brand of tobacco allowed here – ‘Three nuns’. None today, none tomorrow, and none the day after." (Br.B.) 17. "Good morning," said Bilbo, and he meant it. The sun was shining and the grass was very green. (A. T.) 18. Some writer once said: "How many times you can call yourself a Man depends on how many languages you know." (M. St.)
Exercise IV. In the following excerpts you will find mainly examples of verbal irony. Explain what conditions made the realization of the opposite evaluation possible. Pay attention to the part of speech which is used in irony, also its syntactical function: 1. The book was entitled Murder at Milbury Manor and was a whodunit of the more abstruse type, in which everything turns on whether a certain character, by catching the three-forty-three train at Hilbury and changing into the four-sixteen at Milbury, could have reached Silbury by five-twenty-seven, which would have given him just time to disguise himself and be sticking knives into people at Bilbury by six-thirty-eight." (P. G. W.) 2. When the war broke out she took down the signed photograph of the Kaiser and, with some solemnity, hung it in the men-servants' lavatory; it was her one combative action. (E. W.) 3. "I had a plot, a scheme, a little quiet piece of enjoyment afoot, of which the very cream and essence was that this old man and grandchild should be as poor as frozen rats," and Mr. Brass revealed the whole story, making himself out to be rather a saintlike holy character. (D.) 4. The lift held two people and rose slowly, groaning with diffidence. (I. M.) 5. England has been in a dreadful state for some weeks. Lord Coodle would go out, Sir Thomas Doodle wouldn't come in, and there being nobody in Great Britain (to speak of) except Coodle and Doodle, there has been no Government (D.) 6. From her earliest infancy Gertrude was brought up by her aunt. Her aunt had carefully instructed her to Christian principles. She had also taught her Mohammedanism, to make sure. (L.) 7. "She's a charming middle-aged lady with a face like a bucket of mud and if she has washed her hair since Coolidge's second term, I'll eat my spare tire, rim and all." (R. Ch.) 8. With all the expressiveness of a stone Welsh stared at him another twenty seconds apparently hoping to see him gag. (R. Ch.) 9. "Well. It's shaping up into a lovely evening, isn't it?" "Great," he said. "And if I may say so, you're doing everything to make it harder, you little sweet." (D. P.) 10. Mr. Vholes is a very respectable man. He has not a large business, but he is a very respectable man. He is allowed, by the greater attorneys to be a most respectable man. He never misses a chance in his practice which is a mark of respectability, he never takes any pleasure, which is another mark of respectability, he is reserved and serious which is another mark of respectability. His digestion is impaired which is highly respectable. (D.) 11. Several months ago a magazine named Playboy which concentrates editorially on girls, books, girls, art, girls, music, fashion, girls and girls, published an article about old-time science-fiction. (M. St.) 12. Apart from splits based on politics, racial, religious and ethnic backgrounds and specific personality differences, we're just one cohesive team. (D. U.) 13. A local busybody, unable to contain her curiosity any longer, asked an expectant mother point-blank whether she was going to have a baby. "Oh, goodness, no," the young woman said pleasantly. "I'm just carrying this for a friend." (P. G. W.) 14. Sonny Grosso was a worrier who looked for and frequently managed to find, the dark side of most situations. (P. M.) 15. Bookcases covering one wall boasted a half-shelf of literature. (T. C.) 16. I had been admitted as a partner in the firm of Andrews and Bishop, and throughout 1927 and 1928 I enriched myself and the firm at the rate of perhaps forty dollars a month. (Jn. B.) 17. Last time it was a nice, simple, European-style war. (I. Sh.) 18. He could walk and run, was full of exact knowledge about God, and entertained no doubt concerning the special partiality of a minor deity called Jesus towards himself. (A. B.) 19. But every Englishman is born with a certain miraculous power that makes him master of the world. As the great champion of freedom and national independence he conquers and annexes half the world and calls it Colonization. (B. Sh.) 20. All this blood and fire business tonight was probably part of the graft to get the Socialists chucked out and leave honest business men safe to make their fortunes out of murder. (L. Ch.)
Exercise V. Analyse the following cases of antonomasia. State the type of meaning employed and implied; indicate what additional information is created by the use of antonomasia; pay attention to the morphological and semantic characteristics of common nouns used as proper names: 1. "You cheat, you no-good cheat-you tricked our son. Took our son with a scheming trick, Miss Tomboy, Miss Sarcastic, Miss Sneerface." (Ph. R.) 2. A stout middle-aged man, with enormous owl-eyed spectacles, was sitting... on the edge of a great table. I turned to him. "Don't ask me," said Mr. Owl Eyes washing his hands of the whole matter. (Sc. F.) 3. To attend major sports event most parents have arrived. A Colonel Sidebotham was standing next to Prendergast, firmly holding the tape with “FINISH”. "Capital," said Mr. Prendergast, and dropping his end of the tape, he sauntered to the Colonel. "I can see you are a fine judge of the race, sir. So was I once. So's Grimes. A capital fellow. Grimes; a bounder, you know, but a capital fellow. Bounders can be capital fellows; don't you agree, Colonel Slidebottom... I wish you'd stop pulling at my arm, Pennyfeather. Colonel Shybottom and I are just having a most interesting conversation." (E. W.) 4. I keep six honest serving-men (They taught me all I know); Their names are What and Why and When And How and Where and Who. I send them over land and sea, I send them east and west; But after they have worked for me I give them all a rest. I let them rest from nine till five, For I am busy then, As well as breakfast, lunch, and tea, For they are hungry men. But different folk have different views. I know a person small - She keeps ten million serving-men, Who get no rest at all. She sends 'em abroad on her own affairs, From the second she opens her eyes – One million Hows, two million Wheres, And seven million Whys. (R. K.) 5. "Her mother is perfectly unbearable. Never met a Gorgon." "I don't really know what a Gorgon is like, but I am quite sure, that Lady Bracknell is one. In any case, she is a monster without being a myth." (O. W.) 6. Our secretary is Esther D'Eath. Her name is pronounced by vulgar relatives as Dearth, some of us pronounce it Deeth. (S. Ch.) 7. When Omar P. Quill died, his solicitors referred to himalways as O.P.Q. Each reference to O.P.Q. made Roger think of his grandfather as the middle of the alphabet. (G.M.) 8. "Your fur and his Caddy are a perfect match." "I respect history: don't you know that Detroit was founded by Sir Antoine de la Mothe Cadillac, French fur trader." (J.O'H.) 9. Now let me introduce you - that's Mr. What's-his-name, you remember him, don't you? And over there in the that's the Major, and there's Mr. What-d'you-call-him, and that's an American. (E. W.) 10. Cats and canaries had added to the already stale house an entirely new dimension of defeat. As I stepped down, an evil-looking Tom slid by us into the house. (W. Gl) 11. Kate kept him because she knew he would do anything in the world if he were paid to do it or was afraid not to do it. She had no illusions about him. In her business Joes were necessary. (J. St.) 12. In the moon-landing year what choice is there for Mr. and Mrs. Average - the programme against poverty or the ambitious NASA project? (M. St.) 13. The next speaker was a tall gloomy man, Sir Something Somebody. (P.) 14. We sat down at a table with two girls in yellow and three men, each one introduced to us as Mr. Mumble. (Sc. F.) 15. She's been in a bedroom with one of the young Italians, Count Something. (I. Sh.)
Exercise VI. Discuss the structure and semantics of epithets in the following examples. Define the type and function of epithets: 1. He has that unmistakable tall lanky "rangy" loose-jointed graceful closecropped formidably clean American look. (I. M.) 2. Across the ditch Doll was having an entirely different reaction. With all his heart and soul, furiously, jealously, vindictively, he was hoping Queen would not win. (J.) 3. During the past few weeks she had become most sharply conscious of the smiling interest of Hauptwanger. His straight lithe body-his quick aggressive manner-his assertive, seeking eyes. (Dr.) 4. He's a proud, haughty, consequential, turned-nosed peacock. (D.) 5. The Fascisti, or extreme Nationalists, which means black-shirted, knife-carrying, club-swinging, quick-stepping, nineteen-year-old-pot-shot patriots, have worn out their welcome in Italy. (H.) 6. Where the devil was heaven? Was it up? Down? There was no up or down in a finite but expanding universe in which even the vast, burning, dazzling, majestic sun was in a state of progressive decay that would eventually destroy the earth too. (Js. H.) 7. She has taken to wearing heavy blue bulky shapeless quilted People's Volunteers trousers rather than the tight tremendous how-the-West-was-won trousers she formerly wore. (D.B.) 8. Harrison-a fine, muscular, sun-bronzed, gentle-eyed, patrician-nosed, steak-fed, Gilman-Schooled, soft-spoken, well-tailored aristocrat was an out-and-out leaflet-writing revolutionary at the time. (Jn. B.) 9. In the cold, gray, street-washing, milk-delivering, shutters-coming-off-the-shops early morning, the midnight train from Paris arrived in Strasbourg. (H.) 10. Her painful shoes slipped off. (U.) 11. She was a faded white rabbit of a woman. (A. C.) 12. And she still has that look, that don't-you-touch-me look, that women who were beautiful carry with them to the grave. (J. B.) 13. Ten-thirty is a dark hour in a town where respectable doors are locked at nine. (T. C.) 14. He loved the after swim salt-and-sunshine smell of her hair. (Jn. B.) 15. I was to secretly record, with the help of a powerful long-range movie-camera lens, the walking-along-the-Battery-in-the-sunshine meeting between Ken and Jerry. (D.U.) 16. "Thief!" Pilon shouted. "Dirty pig of an untrue friend!" (J.St.) 17. She spent hausfrau afternoons hopping about in the sweatbox of her midget kitchen. (T. C.) 18. He acknowledged an early-afternoon customer with a be-with-you-in-a-minute nod. (D. U.) 19. He thoroughly disliked this never-far-from-tragic look of a ham Shakespearian actor. (H.) 20. "What a picture!" cried the ladies. "Oh! The Iambs! Oh, the sweets! Oh, the ducks! Oh, the pets!" (K. M.) 21. A branch, cracking under his weight sent through the tree a sad cruel thunder. (T. C.) 22. There was none of the Old-fashioned Five-Four-Three-Two-One-Zero business, so tough on the human nervous system. (A. Cl.) 23. His shrivelled head bobbed like a dried pod on his frail stick of a body. (J. G.) 24. The children were very brown and filthily dirty. (W. V.) 25. Liza Hamilton was a very different kettle of Irish. Her head was small and round and it held small and round convictions. (J. St.) 26. He sat with Daisy in his arms for a long silent time. (Sc.F.) 27. From the Splendide Hotel guests and servants were pouring in chattering bright streams. (R. Ch.)
Exercise VII. In the following examples concentrate on cases of hyperbole and understatement. Pay attention to their originality or stateness, to other SDs promoting their effect, to exact words, containing the foregrounded emotive meaning: 1. I was scared to death when he entered the room. (S.) 2. The girls were dressed to kill. (J. Br.) 3. Newspapers are the organs of individual men who have jockeyed themselves to be party leaders, in countries where a new party is born every hour over a glass of beer in the nearest cafe. (J. R.). 4. I was violently sympathetic, as usual. (Jn. B.) 5. Four loudspeakers attached to the flagpole emitted a shattering roar of what Benjamin could hardly call music, as if it were played by a collection of brass bands, a few hundred fire engines, a thousand blacksmiths' hammers and the amplified reproduction of a force-twelve wind. (A. S.) 6. The car which picked me up on that particular guilty evening was a Cadillac limousine about seventy-three blocks long. (J. B.) 7. Her family is one aunt about a thousand years old. (Sc. F.) 8. He didn't appear like the same man; then he was all milk and honey-now he was all starch and vinegar. (D.) 9. She was a giant of a woman. Her bulging figure was encased in a green crepe dress and her feet overflowed in red shoes. She carried a mammoth red pocketbook that bulged throughout as if it were stuffed with rocks. (Fl. O'C.) 10. She was very much upset by the catastrophe that had befallen the Bishops, but it was exciting, and she was tickled to death to have someone fresh to whom she could tell all about it. (S. M.) 11. Babbitt's preparations for leaving the office to its feeble self during the hour and a half of his lunch-period were somewhat less elaborate than the plans for a general European War. (S. M.) 12. The little woman, for she was of pocket size, crossed her hands solemnly on her middle. (G.) 13. We danced on the handkerchief-big space between the speak-easy tables. (R. W.) 14. She wore a pink hat, the size of a button. (J. R.) 15. She was a sparrow of a woman. (Ph. L.) 16. And if either of us should lean toward the other, even a fraction of an inch, the balance would be upset. (O. W.) 17. He smiled back, breathing a memory of gin at me. (W. G.) 18. About a very small man in the Navy: This new sailor stood five feet nothing in sea boots. (Th. P.) 19. She busied herself in her midget kitchen. (T. C.) 20. The rain had thickened, fish could have swum through the air. (T. C.)
Exercise VIII. In the following sentences pay attention to the structure and semantics of oxymorons. Also indicate which of their members conveys the individually viewed feature of the object and which one reflects its generally accepted characteristic: 1. He caught a ride home to the crowded loneliness of the barracks. (J.) 2. Sprinting towards the elevator he felt amazed at his own cowardly courage. (G. M.) 3. They were a bloody miserable lot-the miserablest lot of men I ever saw. But they were good to me. Bloody good. (J. St.) 4. He behaved pretty lousily to Jan. (D. C.) 5. Well might he perceive the hanging of her hair in fairest quantity in locks, some curled and some as if it were forgotten, with such a careless care and an art so hiding art that she seemed she would lay them for a pattern. (Ph. S.) 6. There were some bookcases of superbly unreadable books. (E. W.) 7. Absorbed as we were in the pleasures of travel-and I in my modest pride at being the only examinee to cause a commotion-we were over the old Bridge. (W. G.) 8. "Heaven must be the hell of a place. Nothing but repentant sinners up there, isn't it?" (Sh. D.) 9. Harriet turned back across the dim garden. The lightless light looked down from the. night sky. (I. M.) 10. Sara was a menace and a tonic, my best enemy; Rozzie was a disease, my worst friend. (J. Car.) 11. It was an open secret that Ray had been ripping his father-in-law off. (D. U.) 12. A neon sign reads "Welcome to Reno-the biggest little town in the world." (A. M.) 13. Huck Finn and Holden Caulfield are Good Bad Boys of American literature. (V.) 14. Haven't we here the young middle-aged woman who cannot quite compete with the paid models in the fashion magazine but who yet catches our eye? (Jn. H.) 15. Their bitter-sweet union did not last long. (A. C.) 16. He was sure the whites could detect his adoring hatred of them. (Wr.) 17. You have got two beautiful bad examples for parents. (Sc. F.) 18. He opened up a wooden garage. The doors creaked. The garage was full of nothing. (R. Ch.) 19. She was a damned nice woman, too. (H.) 20. A very likeable young man with a pleasantly ugly face. (A. C.)
Exercise IX. Pay attention to the stylistic function of various lexical expressive means used individually and in convergence: 1. Constantinople is noisy, hot, hilly, dirty and beautiful. It is packed with, uniforms and rumors. (H.) 2. At Archie Schwert's party the fifteenth Marquess of Vanburgh, Earl Vanburgh de Brendon, Baron Brendon, Lord of the Five Isles and Hereditary Grand Falconer to the Kingdom of Connaught, said to the eighth Earl of Balcairn, Viscount Erdinge, Baron Cairn of Balcairn, Red Knight of Lancaster, Count of the Holy Roman Empire and Chenonceaux Herald to the Duchy of Aquitaine, "Hullo," he said. "Isn't it a repulsive party? What are you going to say about it?" for they were both of them as it happened, gossip writers for the daily papers. (E. W.) 3. Across the street a bingo parlour was going full blast; the voice of the hot dog merchant split the dusk like an axe. The big blue blared down the street. (R. Ch.) 4. Lester was all alone. He listened to his steps, as if they weren't his at all but somebody else's. How long can a guy stand this without going nuts? Wattinger has been a good boy but it got him and he was.blown to smithereens; they say they'd seen his arm sailing through the air; higher and higher, an arm alone rising to meet God. He wondered whether, up there, they'd accept an arm in place of the whole man. His soul couldn't possibly have been in the arm; it was in your heart or in your guts or in your brain but not in your arm. (St. H.) 5. For me the work of Gertrude Stein consists in a rebuilding, an entire new recasting of life, in the city of words. Here is one artist who has been able to accept ridicule, to go live among the little housekeeping words, the swaggering bullying street-corner words, the honest working, money-saving words, and all the other forgotten and neglected citizens of the sacred and half forgotten city. (Sh. A.) 6. Only a couple of the remaining fighters began to attack the bombers. On they all came, slowly getting larger. The tiny mosquitoes dipped and swirled and dived in a mad, whirling dance around the heavier, stolid horseflies, who nevertheless kept serenely and sedately on. (J.) 7. "I guess," said Mr. Hiram Fish sotto voce to himself and the world at large, "that this has been a great little old week." (Ch.) 8. The good ships Law and Equity, these teak-built, copper-bottomed iron-fastened, brazen-faced, and not by any means fast-sailing Clippers, are laid up in ordinary. (D.) 9. An enormous grand piano grinned savagely at the curtains as if it would grab them, given the chance. (W. Gl.) 10. Duffy was face to face with the margin of mistery where all our calculations collapse, where the stream of time dwindles into the sands of eternity, where the formula fails in the test-tube, where chaos and old night hold sway and we hear the laughter in the ether dream. (R. W.) 11. Mrs. Ape watched them benignly, then squaring her shoulders and looking (except that she had really no beard to speak of) every inch a sailor strode resolutely forrad to the first-class bar. (E. W.) 12. The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. (K, S.) 13. On that little pond the leaves floated in peace and praised Heaven with their hues, the sunlight haunting over them. (G.) 14. From the throats of the ragged black men, as they trotted up and down the landing-stage, strange haunting notes. Words were caught up, tossed about, held in the throat. Word-lovers, sound-lovers-the blacks seemed to hold a tone in some warm place, under their red tongues perhaps. Their thick lips were walls under which the tone hid. (Sh. A.) 15. It was a relief not to have to machete my way through a jungle of what-are-you-talking-aboutery before I could get at him. (J. A.) 16. Some say the world will end in fire, Some say in ice, From what I've tasted of desire I hold with those who favor fire. But if it had to perish twice I think I know enough of hate To say that for destruction ice Is also great And would suffice. (R. Fr.) 17. Outside the narrow street fumed, the sidewalks swarmed with fat stomachs. (J. R.) 18. The owner, now at the wheel, was the essence of decent self-satisfaction; baldish, largish, level-eyed men, rugged of neck but sleek and round of face-face like the back of a spoon bowl. (S. L.) 19. His fingertips seemed to caress the wheel as he nursed it over the dark winding roads at a mere whispering sixty. (L. Ch.) 20. We plunged in and out of sun and shadow-pools, and joy, a glad-to-be-alive exhilaration, jolted through me like a jigger of nitrogen. (T. C.) 21. They were both wearing hats like nothing on earth, which bobbed and nodded as they spoke. (E. W.) 22. These jingling toys in his pocket were of eternal importance like baseball or Republican Party. (S. L.) 23. He might almost have been some other man dreaming recurrently that he was an electrical engineer. On the other side of the edge, waiting for him to peer into it late at night or whenever he was alone and the show of work had stopped, was illimitable unpopulated darkness, a greenland night; and only his continuing heart beats kept him from disappearing into it. Moving along this edge, doing whatever the day demanded, or the night offered, grimly observant (for he was not without fortitude), he noticed much that has escaped him before. He found he was attending a comedy, a show that would have been very funny indeed if there had been life outside the theatre instead of darkness and dissolution. (P.) 24. Poetry deals with primal and conventional things-the hunger for bread, the love of woman, the love of children, the desire for immortal life. If men really had new sentiments, poetry could not deal with them. If, let us say, a man did not feel a bitter craving to eat brass fenders or mahogany tables, poetry could not express him. If a man, instead of falling in love with a woman, fell in love with a fossil or a sea anemone poetry could not express him. Poetry can only express what is original in one sense-the sense in which we speak of original sin. It is original not in the paltry sense of being new, but in the deeper sense of being old; it is original in the sense that it deals with origins. (G. K. Ch.) 25. His dinner arrived, a plenteous platter of food-but no plate. Heglanced at his neighbors. Evidently plates were an affectation frowned upon in the Oasis café. Taking up a tarnished knife and fork, he pushed aside the underbrush of onions and came face to face with his steak. First impressions are important, and Bob Eden knew at once that this was no meek, complacent opponent that confronted him. The steak looked back at him with an air of defiance that was amply justified by what followed. After a few moments of unsuccessful battling, he summoned the sheik. "How about a steel knife?" inquired Bob. "Only got three and they're all in use," the waiter replied. Bob Eden resumed the battle, his elbows held close, his muscles swelling. With set teeth and grim face he bore down and cut deep. There was a terrible screech as his knife skidded along the platter, and to his horror he saw the steak rise from its bed of gravy and onions and fly from him. It travelled the grimy counter for a second then dropped on to the knees of the girl and thence to the floor. Eden turned to meet her blue eyes filled with laughter. “Oh, I’m sorry,” he said. “I thought it was a steak, and it seems to be a lap dog.” (D.B.)
SUPPLEMENT 1. SAMPLES OF STYLISTIC ANALYSIS 1. My dad had a small insurance agency in Newport. He had moved there because his sister had married old Newport money and was a big wheel in the Preservation Society. At fifteen I'm an orphan and Vic moves in. "From now on you'll do as I tell you," he says. It impressed me. Vic had never really shown any muscle before. (N. T.) The first person singular pronouns indicate that we deal either the entrusted narrative or with the personage's uttered monologue. The communicative situation is highly informal. The vocabulary includes not only standard colloquial words and expressions such as "dad", "to show muscle" (which is based on metonymy), the intensifying, "really", but also the substandard metaphor-"a big wheel". The latter also indicates the lack of respect of the speaker towards his aunt, which is further sustained by his metonymical qualification of her husband ("old Newport money"). The syntax, too, participates in conveying the atmospheres of colloquial informality-sentences are predominantly short. Structures are either simple or, even when consisting of two clauses, offer the least complicated cases of subordination. The change of tenses registers changes in the chronology of narrated events. Especially conspicuous is the introduction of Present Indefinite (Simple) Tense, which creates the effect of immediacy and nearness of some particular moment, which, in its turn, signifies the importance of this event, thus foregrounding it, bringing it into the limelight-and making it the logical and emotional centre of the discourse. 2. He had heard everything the Boy said however-was waiting for the right moment to wrap up his silence, roll it into a weapon and hit Matty over the head with it. He did so now. (W.G1.) In this short extract from W. Golding's Darkness Visible the appearance of a person who was an unnoticed witness to a conversation is described. The unexpectedness of his emergence is identified with the blow in the sustained metaphor which consists of three individual verb metaphors showing stages of an aggressive action. The abrupt change of sentence length and structure contributes to the expressiveness of the passage. 3. And out of the quiet it came to Abramovici that the battle was over, it had left him alive; it had been a battle - a battle! You know where people go out and push little buttons and pull little triggers and figure out targets and aim with the intention to kill, to tear your guts, to blow out your brains, to put great ragged holes in the body you've been taking care of and feeding and washing all your life, holes out of which your blood comes pouring, more blood than you ever could wash off, hold back, stop with all the bandages in the world! (St. H.) Here we deal with the change of the type of narration: from the author's narrative, starting the paragraph, to represented inner speech of the character. The transition tells on the vocabulary which becomes more colloquial (cf. "guts") and more emotional (cf. the hyperbole "all the bandages in the world"); on the syntax brimming with parallelisms; on the punctuation passing on to the emphatic points of exclamation and dashes; on the morphology. "Naive" periphrases are used to describe the act of firing and its deadly effect. Third person pronouns give way to the second person ("you", "your") embracing both communicants-the personage (author) and the reader, establishing close links between them, involving the reader into the feelings and sentiments of the character. Very important is repetition. Besides syntactical repetition (parallelism) mentioned above, pay attention to the repetition of "battle", because it is this word which on the one hand, actually marks the shift from one type of narration to another (the first "battle" bringing in the author's voice, the last two-that of Abramovici). On the other hand, the repetition creates continuity and cohesion and allows the two voices merge, making the transition smooth and almost imperceptible. 4. "This is Willie Stark, gents. From up home at Mason City. Me and Willie was in school together. Yeah, and Willie, he was a bookworm, and he was teacher's pet. Wuzn't you, Willie?" And Alex nudged the teachers pet in the ribs. (R. W.) Alex's little speech gives a fair characteristic of the speaker. The substandard "gents", colloquial "me", irregularities of grammar ("me and Willie was"), pronunciation (graphon "wuzn't"), syntax ("Willie, he was"), abundance of set phrases ("he was a bookworm", "he was a teacher's pet", "from up home") - all this shows the low educational and cultural level of the speaker. It is very important that such a man introduces the beginning politician to his future voters and followers. In this way R. P. Warren stresses the gap between the aspiring and ambitious, but very common and run-of-the-mill young man starting on his political career, and the false and ruthless experienced politician in the end of this road. Note the author's sympathy towards the young Stark which is seen from the periphrastic nomination of the protagonist ("teacher's pet") in the author's final remark. 5. From that day on, thundering trains loomed in his dreams-hurtling, sleek, black monsters whose stack pipes belched gobs of serpentine smoke, whose seething fireboxes coughed out clouds of pink sparks, whose pushing pistons sprayed jets of hissing steam-panting trains.that roared yammeringly over farflung, gleaming rails only to come to limp and convulsive halts-long, fearful trains that were hauled brutally forward by redeyed locomotives that you loved watching as they (and you trembling) crashed past (and you longing to run but finding your feet strangely glued to the ground). (Wr.) This paragraph from Richard Wright is a description into which the character's voice is gradually introduced first through the second person pronoun "you", later also graphically and syntactically-through the so-called embedded sentences, which explicitly describe the personage's emotions. The paragraph is dominated by the sustained metaphor "trains" = "monsters". Each clause of this long (the length of this one sentence, constituting a whole paragraph, is over 90 words) structure contains its own verb-metaphor-"belched", "coughed out", "sprayed", etc., metaphorical epithets contributing to the image of the monster-"thundering", "hurtling", "seething", "pushing", "hissing", etc. Their participial form also helps to convey the effect of dynamic motion. The latter is inseparable from the deafening noise, and besides "roared", "thundering", "hissing", there is onomatopoeic "yammeringly". The paragraph abounds in epithets-single (e. g. "serpentine smoke"), pairs (e. g. "farflung, gleaming rails"), strings ("hurtling, sleek, black monsters"), expressed not only by the traditional adjectives and participles but also by qualitative adverbs ("brutally", "yammeringly"). Many epithets, as it was mentioned before, are metaphorical, included into the formation of the sustained metaphor. The latter besides the developed central image of the monstrous train, consists of at least two minor ones-"red-eyed locomotives", "limp and convulsive halts". The syntax of the sentence-paragraph shows several groups of parallel constructions, reinforced by various types of repetitions (morphological-of the – ing - suffix, caused by the use of eleven participles; anaphoric-of "whose"; thematic-of the word "train"). All the parallelisms and repetitions create a definitely perceived rhythm of the passage which adds to the general effect of dynamic motion. Taken together, the abundance of verbs and verbals denoting fast and noisy action, having a negative connotation, of onomatopoeic words, of repetitions-all of these phonetic, morphological, lexical and syntactical means create a threatening and formidable image of the description, which both frightens and fascinates the protagonist.
SUPPLEMENT 2. Extracts for Comprehensive Stylistic Analysis 1. As various aids to recovery were removed from him and he began to speak more, it was observed that his relationship to language was unusual. He mouthed. Not only did he clench his fists with the effort of speaking, he squinted. It seemed that a word was an object, a material object, round and smooth sometimes, a golf-ball of a thing that he could just about manage to get through his mouth, though it deformed his face in the passage. Some words were jagged and these became awful passages of pain and struggle that made the other children laugh. Patience and silence seemed the greater part of his nature. Bit by bit he learnt to control the anguish of speaking until the golf-balls and jagged stones, the toads and jewels passed through his mouth with not much more than the normal effort. (W. Gl.)
2 "Is anything wrong?" asked the tall well-muscled manager with menacing inscrutability, arriving to ensure that nothing in his restaurant ever would go amiss. A second contender for the world karate championship glided noiselessly up alongside in formidable allegiance (Js. H.)
3. As Prew listened the mobile face before him melted to a battle-blackened skull as though a flamethrower had passed over it, kissed it lightly, and moved on. The skull talked on to him about his health. (J.) 4 Scobie turned up James Street past the Secretariat. With its long, balconies it has always reminded him of a hospital. For fifteen years he had watched the arrival of a succession of patients; periodically at the end of eighteen months certain patients were sent home, yellow and nervy and others took their place-Colonial Secretaries, Secretaries of Agriculture, Treasurers and Directors of Public Works. He watched their temperature charts every one-the first outbreak of unreasonable temper, the drink too many, the sudden attack for principle after a year of acquiescence. The black clerks carried their bedside manner like doctors down the corridors; cheerful and respectful they put up with any insult. The patient was always right. (Gr.Gr.)
5. In a very few minutes an ambulance came, the team was told all the nothing that was known about the child and he was driven away, the ambulance bell ringing, unnecessarily. (W. Gl.)
6. This area took Matty and absorbed him. He received pocket money. He slept in a long attic. He ate well. He wore a thick dark-grey suit and grey overalls. He carried things. He became the Boy. (W. Gl.)
7. We have all seen those swinging gates which, when their swing is considerable, go to and fro without locking. When the swing has declined, however, the latch suddenly drops to its place, the gate is held and after a short rattle the motion is all over. We have to explain an effect something like that. When the two atoms meet, the repulsions of their electron shells usually cause them to recoil; but if the motion is small and the atoms spend a longer time in each other's neighbourhood, there is time for something to happen in the internal arrangements of both atoms, like the drop of the latch-gate into its socket, and the atoms are held. (W. Br.)
8. We marched on, fifteen miles a day, till we came to the maze of canals and streams which lead the Euphrates into the Babylonian cornfields. The bridges are built high for the floods of winter. Sometimes the ricefields spread their tassled lakes, off which the morning sun would glance to blind us. Then one noon, when the glare had shifted, we saw ahead the great black walls of Babylon, stretched on the low horizon against the heavy sky. Not that its walls were near; it was their height that let us see them. When at last we passed between the wheatfields yellowing for the second harvest, which fringed the moat, and stood below, it was like being under mountain cliffs. One could see the bricks and bitumen; yet it seemed impossible this could be the work of human hands. Seventy-five feet stand the walls of Babylon; more than thirty thick; and each side of the square they form measure fifteen miles. We saw no sign of the royal army; there was room for it all to encamp within, some twenty thousand foot and fifty thousand horse. The walls have a hundred gates of solid bronze. We went in by the Royal Way, lined with banners and standards, with Magi holding fire-altars, with trumpeters and praise-singers, with satraps and commanders. Further on was the army; the walls of Babylon enclose a whole countryside. All its parks can grow grain in case of siege; it is watered from the Euphrates. An impregnable city. The King entered in his chariot. He made a fine figure, overtopping by half a head his charioteer, shining in white and purple. The Babylonians roared their acclamation, as he drove off with a train of lords and satraps to show himself to the army. (M. R.)
9. You know a lot of trouble has been caused by memoirs. Indiscreet revelations, that sort of thing. People who have been close as an oyster all their lives seem positively to relish causing trouble when they themselves will be comfortably dead. It gives them a kind of malicious glee. (Ch.) 10. "Call Elizabeth Cluppins," said Sergeant Buzfuz. The nearest usher called for Elizabeth Tuppins, another one, at a little distance of, demanded Elizabeth Jupkins; and a third rushed in a breathless state into Ring Street and screamed for Elizabeth Muffins till he was hoarse. (D.)
11. "You're the last person I wanted to see. The sight of you dries up all my plans and hopes. I wish I were back at war still, because it's easier to fight you than to live with you. War's a pleasure do you hear me? - War's a pleasure compared to what faces us how: trying to build up a peacetime with you in the middle of it." "I'm not going to be a part of any peacetime of yours. I'm going a long way from here and make my own world that's fit for a man to live in. Where a man can be free, and have a chance, and do what he wants to do in his own way," Henry said. "Henry, let's try again." "Try what? Living here? Speaking polite down to all the old men like you? Standing like sheep at the street corner until - the red light turns to green? Being a good boy and a good sheep, like all the stinking ideas you get out your books? Oh, no! I'll make a world, and I'll show you." (Th. W.)
12. I began to think how little I had saved, how long a time it took to save at all, how short a time I might have at my age to live, and how she would be left to the rough mercies of the world. (D.)
13. She was sitting down with the "Good Earth" in front of her. She put it aside the moment she made her decision, got up and went to the closet where perched on things that looked like huge wooden collar-buttons. She took two hats, tried on both of them, and went back to the closet and took out a third, which she kept on. Gloves, purse, cigarette extinguished, and she was ready to go. (J.O'H.)
14. "How long have you known him? What's he like?'' "Since Christmas. He's from Seattle and he spent Christmas with friends of mine in Greenwich is how I happened to meet him. I sat next to him at dinner the night after Christmas, and he was the quiet type, I thought. He looked to be the quiet type. So I found out what he did and I began talking about gastroenterostomies and stuff and he just sat there and nodded all the time I was talking. You know, when I was going to be a nurse a year before last. Finally I said something to him. I asked him if by any chance he was listening to what I was saying, or bored, or what? 'No, not bored,' he said. 'Just cockeyed.' And he was. Cockeyed. It seems so long ago and so hard to believe we were ever strangers like that, but that's how I met him, or my first conversation with him. Actually he's very good. His family have loads of money from the lumber business and I've never seen anything like the way he spends money. But only when it doesn't interfere with his work at P. and S. He has a Packard that he keeps in Greenwich and hardly ever uses except when he comes to see me. He was a marvellous basket-ball player at Dartmouth and two weeks ago when he came up to our house he hadn't had a golf stick in his hands since last summer and he went out and shot an eighty-seven. He's very homely, but he has this dry sense of humor that at first you don't quite know whether he's even listening to you, but the things he says. Sometimes I think-oh, not really, but a stranger overhearing him might suggest sending him to an alienist." (J. O'H.)
15. My appointment with the Charters Electrical Company wasn't until afternoon, so I spent the morning wandering round the town. There was a lot of dirty snow and slush about, and the sky was grey and sagging with another load of the stuff, but the morning was fine enough for a walk. Gretley in daylight provided no surprise. It was one of those English towns that seem to have been built simply to make money for people who don't even condescend to live in them. (P.)
16. This constant succession of glasses produced considerable effect upon Mr. Pickwick; his countenance beamed with the most sunny smiles, laughter played around his lips, and good-humoured merriment twinkled in his eyes. Yielding by degrees to the influence of the exciting liquid rendered more so by the heat, Mr. Pickwick expressed a strong desire to recollect a song which he had heard in his infancy, and the attempt proving abortive, sought to stimulate his memory with more glasses of punch, which appeared to have quite a contrary effect; for, from forgetting the words of the song, he began to forget how to articulate any words at all; and finally, after rising to his legs to address the company in an eloquent speech, he fell into the barrow, and fast asleep, simultaneously. (D.)
17. Mr. Topper turned from the tree and wormed himself into the automobile. And the observer, had he been endowed with cattish curiosity would have noted by the laborings of Topper's body that he had not long been familiar with the driving seat of an automobile. Once, in, he relaxed, then, collecting his scattered members, arranged his feet and hands as Mark had patiently instructed him. (Th. S.)
18. It was a marvellous day in late August, and Wimsey's soul purred within him as he pushed the car along. The road from Kirkcudbright to Newton-Stuart is of a varied loveliness hard to surpass, and with the sky full of bright sun and rolling cloud-banks, hedges filled with flowers, a well-made road, a lively engine and a prospect of a good corpse at the end of it, Lord Peter's cup of happiness was full. He was a man who loved simple pleasures. He passed through Gatehouse, waving a cheerful hand to the proprietor of Antworth Hotel, climbed up beneath the grim blackness of Cardoness Castle, drank in for the thousandth time the strange Japanese beauty of Mossyard Farm, set like a red jewel under its tufted trees on the blue sea's rim, and the Italian loveliness of Kirkdale, with its fringe of thin and twisted trees and the blue coast gleaming across the way. (D. S.)
19. The two transports had sneaked up from the South in the first graying flush of dawn, their cumbersome mass cutting smoothly through the water whose still greater mass bore them silently, themselves as gray as the dawn which camouflaged them. Now, in the fresh early morning of a lovely tropic day they lay quietly at anchor in the channel, nearer to the one island than to the other which was only a cloud on the horizon. To their crews, this was a routine mission and one they knew well: that of delivering fresh reinforcement troops. But to the men who comprised the cargo of infantry this trip was neither routine nor known and was composed of a mixture of dense anxiety and tense excitement. (J.)
20. I am always drawn back to places where I have lived, the houses and their neighbourhoods. For instance, there is a brown-stone in the East Seventies where, during the early years of the war, I had my first New York apartment. It was one room crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red velvet that one associates with hot days on a train. The walls were stucco, and a color rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman ruins freckled, brown with age. The single window looked out on the fire escape. Even so, my spirits heightened whenever I felt in my pocket the key to this apartment; with all its gloom, it was still a place of my own, the first, and my books were there, and jars of pencils to sharpen, everything I needed, so I felt, to become the writer I wanted to be. (T. C.)
21. He leaned his elbows on the porch ledge and stood looking down through the screens at the familiar scene of the barracks square laid out below with the tiers of porches dark in the faces of the three-story concrete barracks fronting on the square. He was feeling a half-sheepish affection for his vantage point that he was leaving. Below him under the blows of the February Hawaiian sun the quadrangle gasped defencelessly, like an exhausted fighter. Through the heat haze the thin midmorning film of the parched red dust came up a muted orchestra of sounds: the clanking of steel-wheeled carts bouncing over brick, the slappings of oiled leather sling-straps, the shuffling beat of shoesoles, the hoarse expletive of irritated noncoms. (J.)
22. Around noon the last shivering wedding guest arrived at the farmhouse: then for all the miles around nothing moved on the gale-haunted moors-neither carriage, wagon, nor human figure. The road wound emptily over the low hills. The gray day turned still colder, and invisible clouds of air began to stir slowly in great icy swaths, as if signalling some convulsive change beyond the sky. From across the downs came the boom of surf against the island cliffs. Within an hour the sea wind rose to a steady moan, and then within the next hour rose still more to become a screaming ocean of air. Ribbons of shouted laughter and music-wild waltzes and reels streamed thinly from the house, but all the wedding sounds were engulfed, drowned and then lost in the steady roar of the gale. Finally, at three o'clock, spits of snow became a steady swirl of white that obscured the landscape more thoroughly than any fog that had ever rolled in from the sea. (M. W.)
23. There was an area east of the Isle of Dogs in London which was an unusual mixture even for those surroundings. Among the walled-off rectangles of water, the warehouses, railway lines and travelling cranes, were two streets of mean houses with two pubs and two shops among them. The bulks of tramp steamers hung over the houses where there had been as many languages spoken as families that lived there. But just now not much was being said, for the whole area had been evacuated officially and even a ship that was hit and set on fire had few spectators near it. There was a kind of tent in the sky over London, which was composed of the faint white beams of searchlights, with barrage balloons dotted here and there. The barrage balloons were all that the searchlights discovered in the sky, and the bombs came down, it seemed, mysteriously out of emptiness. They fell round the great fire. The men at the edge of the fire could only watch it burn, out of control. The drone of the bombers was dying away. The five-mile-high tent of chalky lights had disappeared, been struck all at once, but the light of the great fire was bright as ever, brighter perhaps. Now the pink aura of it had spread. Saffron and ochre turned to blood-colour. The shivering of the white heart of the fire had quickened beyond the capacity of the eye to analyse it into an outrageous glare. High above the glare and visible now for the first time between two pillars of lighted smoke was the steely and untouched round of the full moon-the lover's, hunter's, poet's moon; and now-an ancient and severe goddess credited with a new function and a new title-the bomber's moon. She was Artemis of the bombers, more pitiless than ever before. (W. Gl.)
24. There is no month in the whole year, in which nature wears a more beautiful appearance than in the month of August; Spring has many beauties, and May is a fresh and blooming month: but the charms of this time of year are enhanced by their contrast with the winter season. August has no such advantage. It comes when we remember nothing but clear skies, green fields and sweet-smelling flowers-when the recollection of snow, and ice, and bleak winds, has faded from our minds as completely as they have disappeared from the earth-and yet what a pleasant time it is. Orchards and cornfields ring with the hum of labour; trees bend beneath the thick clusters of rich fruit which bow their branches to the ground; and the corn, piled in graceful sheaves, or waving in every light breath that sweeps above it, as if it wooed the sickle, tinges the landscape with a golden hue. A mellow softness appears to hang over the whole earth; the influence of the season seems to extend itself to the very wagon, whose slow motion across the wellreaped field is perceptible only to the eye, but strikes with no harsh sound upon the ear. (D.)
25. They say you never hear the one that hits you. That is true of bullets because if you hear them they are already past. I heard the last shell that hit this hotel. Heard it start from the battery, then come with a whistling incoming roar like a subway train, to crash against a cornice and shower the room with broken glass and plaster. And while the glass still tinkled down and 'you listened for the next one to start, you realized that now finally you were back in Madrid. Madrid is quiet now. Aragon is the active front. There is little fighting around Madrid except mining and countermining, trench raiding, trench mortar strafing and sniping in the stalemate of constant siege warfare going on in Carabanchel, Usera and University City. The cities are shelled very little. Some days there is no shelling and the weather is beautiful and the streets crowded. Shops full of clothing, jewelry stores, camera shops, picture dealers, antiquarians are all open and cafes and bars are crowded. Beer is scarce and whisky is almost unobtainable. Th
|
||||||
Последнее изменение этой страницы: 2016-08-26; просмотров: 2781; Нарушение авторского права страницы; Мы поможем в написании вашей работы! infopedia.su Все материалы представленные на сайте исключительно с целью ознакомления читателями и не преследуют коммерческих целей или нарушение авторских прав. Обратная связь - 3.137.174.253 (0.014 с.) |