Заглавная страница Избранные статьи Случайная статья Познавательные статьи Новые добавления Обратная связь FAQ Написать работу КАТЕГОРИИ: АрхеологияБиология Генетика География Информатика История Логика Маркетинг Математика Менеджмент Механика Педагогика Религия Социология Технологии Физика Философия Финансы Химия Экология ТОП 10 на сайте Приготовление дезинфицирующих растворов различной концентрацииТехника нижней прямой подачи мяча. Франко-прусская война (причины и последствия) Организация работы процедурного кабинета Смысловое и механическое запоминание, их место и роль в усвоении знаний Коммуникативные барьеры и пути их преодоления Обработка изделий медицинского назначения многократного применения Образцы текста публицистического стиля Четыре типа изменения баланса Задачи с ответами для Всероссийской олимпиады по праву Мы поможем в написании ваших работ! ЗНАЕТЕ ЛИ ВЫ?
Влияние общества на человека
Приготовление дезинфицирующих растворов различной концентрации Практические работы по географии для 6 класса Организация работы процедурного кабинета Изменения в неживой природе осенью Уборка процедурного кабинета Сольфеджио. Все правила по сольфеджио Балочные системы. Определение реакций опор и моментов защемления |
Int. Bathroom, warehouse - laterСодержание книги
Поиск на нашем сайте
Cobb and Arthur, wearing BALACLAVAS, PULL the sack from Fischer's head. He is chained to the radiator.
FISCHER I'm insured against kidnapping up to ten million-this'll be simple-
COBB No, it won't.
Fischer looks at Cobb, unnerved.
ARTHUR In. your lather's office, below the bookshelves, is his personal safe. We need the combination.
FISCHER I never noticed a safe-
COBB Doesn't mean you don't know the combination.
FISCHER Well, I don't.
ARTHUR We have it on good authority that you do.
FISCHER Whose?
INT. OFFICE, WAREHOUSE - CONTINUOUS
Yusuf looks through Fischer's wallet. Eames is opening a HINGED, THREE-WING MIRROR.
YUSUF Five hundred dollars, this cost?
EAMES What's inside? 83.
YUSUF Cash, cards, ID... and this-
Yusuf holds up a SNAPSHOT: the photo from Maurice Fischer's office- YOUNG ROBERT holds his HOMEMADE PINWHEEL, his FATHER blows on it. Eames takes it from Yusuf. STUDIES it. Cobb enters. Eames hands him the snapshot.
EAMES Useful?
Cobb studies the snapshot. Eames examines himself in the hinged mirror from multiple angles: ONE BY ONE the myriad Eames reflections BECOME BROWNINGS. Cobb pockets the photo.
COBB You're on. You've got an hour.
EAMES An hour? I was supposed to have all night to crack him.
COBB And Saito was supposed to keep his guts on the inside. You've got an hour-get something we can use.
Eames turns from the mirror AS BROWNING. He glances at his watch, then SCREAMS, as if begging for mercy-
INT. BATHROOM, WAREHOUSE - CONTINUOUS
Browning's CRY reverberates- Fischer looks up, concerned-
FISCHER What's that?
ARTHUR Good authority.
Another cry rings out. Fischer recognizes the voice.
FISCHER Uncle Peter?! Make them stop-
ARTHUR The combination.
FISCHER I don't know it!
ARTHUR Why would Browning tell us you did?
FISCHER Let me talk to him-I'll find out. 84.
INT. BATHROOM, WAREHOUSE - MOMENTS LATER
Cobb pushes Browning (Eames), bloody and bruised, into the room and forces him down next to Fischer. Cobb handcuffs Browning's wrist to a metal bracket on the side of the sink.
COBB You've got an hour. Get talking.
Cobb leaves.
BROWNING (EAMES) They've had me for two days. They've got someone with access to your father's office and they're trying to open his safe-they thought I'd know the combination, but I don't-
FISCHER Neither do I, Uncle Peter.
BROWNING (confused) Maurice told me that after he passed only you would be able to open it.
FISCHER He never gave me the combination.
Browning thinks for a minute. Realizes something.
BROWNING He did, he just didn't tell you that it was a combination.
FISCHER What, then?
BROWNING Something only you would know. Some meaningful combination of numbers from your experiences with Maurice-
FISCHER We didn't have a lot of meaningful experiences together.
BROWNING Perhaps after your mother died...
FISCHER After my mother died, I went to him in my grief. (MORE) 85. FISCHER (CONT'D) You know what he told me? "There's really nothing to be said, Robert."
BROWNING He always had a hard time with emotional-
FISCHER I was eleven, Uncle Peter.
Browning (Eames) takes this in.
BROWNING He loved you, Robert. In his way.
FISCHER "In his way?" At the end he called me to his deathbed. He could barely speak, but he took the trouble to say one last thing to me. He pulled me close... I could make out only one word. "Disappointed."
Browning can say nothing.
INT. OFFICE, WAREHOUSE - CONTINUOUS
Cobb pulls off his balaclava. Looks down at Saito, who is breathing fast, shallow.
COBB How's he doing?
ARIADNE He's in a lot of pain.
Cobb takes Saito's hand. Looks him in the eye.
COBB When we get you down to the next level, the pain will be less intense.
Saito nods, breathing hard.
ARIADNE (low) And if he dies?
COBB His conscious mind will drop out of the dream. He'll be trapped in Limbo for a lifetime...
ARIADNE What will that do to him? 86.
Cobb looks at her. Grave.
COBB When he wakes... his mind could be completely gone.
SAITO When... when we wake I will still honor our arrangement...
Cobb looks down at Saito sadly.
COBB Saito-san, when you wake you might not even remember that we had an arrangement. You'll have forgotten this world. Limbo will be your reality. Lost there so long, you'll have become an old man...
SAITO Filled with regret?
COBB Waiting to die alone. Yes.
SAITO Then I'll take the chance and come back. And we'll be young men together again.
Saito smiles weakly. Cobb nods at him, turns to Ariadne.
ARIADNE When were you trapped in Limbo?
Cobb says nothing. Ariadne pulls him away from Saito.
ARIADNE Cobb, you might have convinced the rest of this team to carry on with the job. But they don't know the truth.
COBB What truth?
ARIADNE The truth that at any minute you might bring a freight train through the wall. The truth that Mal is bursting up through your subconscious. (MORE) 87. ARIADNE (CONT'D) The truth that as we go deeper into Fischer, we're also going deeper into you-and I'm not sure we're going to like what we find there.
Cobb stares back at Ariadne. Saying nothing.
ARIADNE This is not just about Fischer, it's about you. Tell me what happened to you and Mal. Trapped in Limbo.
Cobb looks at her. Thinking it through.
COBB We were on a job. Exploring dreams within dreams. But we didn't understand how your mind can turn hours into years. How you can get trapped. Trapped so deep that when you wash up on the shore of your subconscious...
|
|||||
Последнее изменение этой страницы: 2017-01-20; просмотров: 282; Нарушение авторского права страницы; Мы поможем в написании вашей работы! infopedia.su Все материалы представленные на сайте исключительно с целью ознакомления читателями и не преследуют коммерческих целей или нарушение авторских прав. Обратная связь - 3.135.209.20 (0.01 с.) |