Flag Days (United Kingdom Government)

Until July 2007, the Union Flag was only flown on Government buildings on a limited number of special days each year. The choice of days was managed by the Department for Culture, Media and Sport (DCMS).Government buildings are those used by civil servants, the Crown, or the armed forces. They were not applicable to private citizens, corporations, or local authorities.

On 3 July 2007, the Justice Secretary Jack Straw laid a green paper before Parliament entitled The Governance of Britain. ^[4] Alongside a range of proposed changes to the constitutional arrangements of the UK was a specific announcement that there would be consultation on whether the rules on flag-flying on Government buildings should be relaxed.

Two days later, Prime Minister Gordon Brown announced that with immediate effect the Union Flag would fly from the flag pole above the front entrance of 10 Downing Street on every day of the year. The intention was to increase feelings of 'Britishness'. Other Government departments were asked to follow this lead, and all Government buildings

Scotland Yard however stated that they would follow the previous rules until they are formally abolished by DCMS.

James Purnell, Culture Secretary from June 2007 to January 2008 in Brown's administration, subsequently concurred with the abolition of the restrictions – pending consultation on longer term arrangements.

4The participation of UK in the wars 20^th centuary.

Between the Two World Wars
Following the Armistice of 1918, the first order of the day for the victorious allies (Britain, France, the USA, Italy, Japan and to a lesser extent Russia) was to hammer out the peace terms to be presented to the defeated powers (Germany, Austria, Bulgaria, Turkey and Hungary). At Versailles, Lloyd George represented Britain; pressing for severe penalties against the Germans, he came up against the idealism of US President Wilson, anxious to have his plans for a League of Nations implemented; and Clemenceau of France, who wished for even more severe recriminations against Germany.

The final treaty came in June, 1919. The reparations and "war-guilt" clauses were later seen by English economist John Maynard Keynes as a future cause of discontent; they later became an excuse for Herr Hitler to begin his efforts to countermand them. The US did not ratify the treaty, and the disunity that prevailed after its signing did not bode well for the future of Europe. In addition, the United States and Russia did not join the League of Nations that met for the first time in Geneva in November, 1920.

The matter of Ireland then became a serious source of hemorrhage to the confidence of a seemingly-united Great Britain. The war had presented the opportunity the Irish nationalists had been waiting for since the postponement of the Home Rule Act of 1914. When they seized their opportunity to attack British rule in Ireland, the execution of many of their leaders following the Easter Monday Rising in Dublin, made reconciliation between the two countries impossible.

The British government failed to separate its important Irish prisoners. An internment camp at Frongoch, in North Wales, later known as "Sinn Fein " University, brought together many who would later become key figures in the fight for independence, including Michael Collins (later to become Director of Intelligence as well as chief organizer) and Richard Mulcahy (later to become Chief of Staff). Prisoners were inspired by hearing the Welsh language all around the camp declare a republic in which Gaelic would be the national language. In 1918, following the General Election, the successful Sinn Feiners refused their seats at Westminster and formed the Dail Eireann that proclaimed the Irish Republic on January 21, 1919.

The war against British rule then began, lasting until December 1920 when atrocities and counter atrocities by both sides (not only those committed by the infamous "Black and Tans.") finally led to the Government of Ireland Act. The Act divided Ireland into Northern Ireland (containing the largest part of Ulster) and Southern Ireland, giving both parts Home Rule, but reserving taxation powers for the Westminster Parliament. It seemed that no one in Ireland was satisfied and guerrilla warfare intensified. The coalition government in London was finally convinced that a policy of reconciliation was needed and a truce in July, 1921 was followed by the Anglo-Irish Treaty of December.

Mainly through a threat of an all-out war, Lloyd George somehow managed to persuade the Irish delegation, led by Michael Collins, to accept the offer of Dominion status within the Commonwealth rather than hold out for an independent republic, and the Irish Free State came into being. A basic British condition was that the six counties of Northern Ireland, mainly Protestant (who equated Home Rule with Rome Rule) should not be coerced into a united Ireland, the other 32 counties, mainly Catholic.

Eamon De Valera (one of the participants in the Easter Rising, but who had escaped from Lincoln Gaol) objected to the oath of allegiance to the Crown and formed a new party, the Republican Party against the government of Arthur Griffith and Michael Collins. It began a bitter civil war in which Collins, leader of the Dail's military forces and a much revered Irish patriot lost his life leading the Free-State forces against the Republicans. The bloody civil war ended in April 1923 when De Valera, who had been elected President of the Irish Free State in 1919, ordered a cease fire. Eire was finally declared a republic in April 1948, with Northern Ireland remaining as part of the United Kingdom.

5Formation of national English language.

History

Main article: History of the English language

English is a West Germanic language that originated from the Anglo-Frisian and Old Saxon dialects brought to Britain by Germanic settlers from various parts of what is now northwest Germany, Denmark and the Netherlands.^[29] Up to that point, in Roman Britain the native population is assumed to have spoken the Celtic language Brythonic alongside the acrolectal influence of Latin, from the 400-year Roman occupation.^[30]

One of these incoming Germanic tribes was the Angles,^[31] whom Bede believed to have relocated entirely to Britain.^[32] The names 'England' (from Engla land ^[33] "Land of the Angles") and English (Old English Englisc ^[34]) are derived from the name of this tribe—but Saxons, Jutes and a range of Germanic peoples from the coasts of Frisia, Lower Saxony, Jutland and Southern Sweden also moved to Britain in this era.^[35][36][37]

Initially, Old English was a diverse group of dialects, reflecting the varied origins of the Anglo-Saxon kingdoms of Great Britain^[38] but one of these dialects, Late West Saxon, eventually came to dominate, and it is in this that the poem Beowulf is written.

Old English was later transformed by two waves of invasion. The first was by speakers of the North Germanic language branch when Halfdan Ragnarsson and Ivar the Boneless started the conquering and colonisation of northern parts of the British Isles in the 8th and 9th centuries (see Danelaw). The second was by speakers of the Romance language Old Norman in the 11th century with the Norman conquest of England. Norman developed into Anglo-Norman, and then Anglo-French – and introduced a layer of words especially via the courts and government. As well as extending the lexicon with Scandinavian and Norman words these two events also simplified the grammar and transformed English into a borrowing language—more than normally open to accept new words from other languages.

The linguistic shifts in English following the Norman invasion produced what is now referred to as Middle English, with Geoffrey Chaucer's The Canterbury Tales being the best known work.

Throughout all this period Latin in some form was the lingua franca of European intellectual life, first the Medieval Latin of the Christian Church, but later the humanist Renaissance Latin, and those that wrote or copied texts in Latin^[15] commonly coined new terms from Latin to refer to things or concepts for which there was no existing native English word.

Modern English, which includes the works of William Shakespeare^[39] and the King James Bible, is generally dated from about 1550, and when the United Kingdom became a colonial power, English served as the lingua franca of the colonies of the British Empire. In the post-colonial period, some of the newly created nations which had multiple indigenous languages opted to continue using English as the lingua franca to avoid the political difficulties inherent in promoting any one indigenous language above the others. As a result of the growth of the British Empire, English was adopted in North America, India, Africa, Australia and many other regions, a trend extended with the emergence of the United States as a superpower in the mid-20th century.

7England. It’s economy and emblem.

The Economy of England is the sixth largest economy in the world and the largest economy of the four countries of the United Kingdom.

England is a highly industrialised country. It is an important producer of textiles and chemical products. Although automobiles, locomotives, and aircraft are among England's other important industrial products, a significant proportion of the country's income comes from the City of London. Since the 1990s, the financial services sector has played an increasingly significant role in the English economy and the City of London is one of the world's largest financial centres. Banks, insurance companies, commodity and futures exchanges are heavily concentrated in the City. The British pound sterling is the official currency of England and the central bank of the United Kingdom, the Bank of England, is located in London.

The service sector of the economy as a whole is now the largest in England, with manufacturing and primary industries in decline. The only major secondary industry that is growing is the construction industry, fuelled by economic growth provided mainly by the growing services, administrative and financial sector. History

In medieval times (c. 11th–15th century), the wool trade was the major industry of England and the country exported wool to Europe. Many market towns and ports grew up on the industry. Poor infrastructure hampered the development of large scale industry. This changed when the canals and railways began to be built, in the late 18th century and early 19th century.

England became the world's first industrialised nation, with the industrial revolution taking place in the late 18th century. This was also the age of British overseas expansion, where England relied upon colonies (such as India, America, Canada, or Australia) to bring in resources such as cotton and tobacco. English factories then processed goods and sold them on in both the quickly growing domestic market or abroad. Cities grew and large industrial centres were established, especially in the Midlands and North England.

Heavy industries, such as coal mining, steel production and shipbuilding, declined in England during the second half of the 20th century and were replaced by service industries and hi-tech industries, such as thecomputer and pharmaceutical industries.

Agriculture and fishing

Finance

Manufacturing

Tourism

Emblem.

The words emblem and symbol often appear interchangeably in day-to-day conversation without causing undue confusion. A distinction between the two may seem unnecessarily fastidious. Nevertheless, an emblem is a pattern that is used to represent an idea, or an individual. An emblem crystallizes in concrete, visual terms some abstraction: a deity, a tribe or nation, a virtue or a vice. An emblem is an object or a representation of an object.

An emblem may be worn or otherwise used as an identifying badge. A real or metal cockle shell, the emblem of St James the Apostle, sewn onto the hat or clothes identified a medieval pilgrim to his shrine at Santiago de Compostela. In the Middle Ages, many saints were given emblems, which served to identify them in paintings and other images: St Catherine had a wheel, or a sword, St Anthony Abbot a pig and a small bell. These are also called attributes, especially when shown carried by or close to the saint in art. Kings and other grand persons increasingly adopted personal devices or emblems that were distinct from their family heraldry. The most famous includeLouis XIV of France's sun, the salamander of Francis I of France, the boar of Richard III of England and the armillary sphere of Manuel I of Portugal. In the fifteenth and sixteenth century there was a fashion, started in Italy, for making large medals with a portrait head on the obverse and the emblem on the reverse; these would be given to friends and as diplomatic gifts. Pisanello produced many of the earliest and finest of these.

"The big eat the small": a political emblem from an emblem book of 1617

In current American usage, police officers' badges refer specifically to their personal metal emblem — sometimes with a uniquely identifying number or name on it — while the woven emblems sewn on their uniforms identify all the members of a particular unit.

A symbol substitutes one thing for another, in a more concrete fashion^[1]:

§ The Christian cross is a symbol of the Crucifixion; it is an emblem of sacrifice.

§ The Red Cross is one of three symbols representing the International Red Cross.^[2] A red cross on a white background is the emblem of humanitarian spirit.

§ The crescent shape is a symbol of the moon; it is an emblem of Islam.

§ The skull and crossbones is an symbol identifying a poison.^[3] The skull is an emblem of the transitory human life.

7Britain in the medieval period.

England in the Middle Ages concerns the history of England during the Medieval period — from the end of Roman rule in Britain through to the Early Modern period. It is in this formative period that England emerged as a unified and political entity, and transformed over several centuries from a diverse, warring and fractious land of petty kingdoms, into one of Europe's most centralized, powerful and richest is usually dated by the rise of what is often referred to as the English Renaissance in the reign ofHenry VIII, and the Reformation in Scotland, or else to the establishment of a centralised, bureaucratic monarchy by Henry VII. From a political point of view, the Norman conquest of England divides medieval England into two distinct phases of cultural and political history. From a linguistic point of view the Norman Conquest had only a limited effect, Old English evolving into Middle English, although the Anglo Norman language would remain the language of those that ruled for two centuries at least, before mingling with Middle English.

At the height of pre-Norman medieval English power, a single English king ruled to the borders with Scotland and Wales. After the Norman Conquest, Anglo-Norman power intruded into Wales with increasing vigour. Southern England had closer relationships with Normandy, Flanders and Brittany, owing to relative proximity, than had the other regions.

8British culture in the 16^th centuary.

English poetry of the 16^th century

The poetry of the earlier part of the 16th century is generally less important, with the exception of the work of John Skelton, which exhibits a curious combination of medieval and Renaissance influences. The two greatest innovators of the new, rich style of Renaissance poetry in the last quarter of the 16th century were Sir Philip Sidney and Edmund Spenser, both humanistically educated Elizabethan courtiers.Sidney, universally recognized as the model Renaissance nobleman, outwardly polished as well as inwardly conscientious, inaugurated the vogue of the sonnet cycle in his Astrophel and Stella (written 1582; published 1591). In this work, in the elaborate and highly metaphorical style of the earlier Italian sonnet, he celebrated his idealized love for Penelope Devereux, the daughter of Walter Devereux, 1st earl of Essex. These lyrics profess to see in her an ideal of womanhood that in the Platonic manner leads to a perception of the good, the true, and the beautiful and consequently of the divine. This idealization of the beloved remained a favored motif in much of the poetry and drama of the late 16th century; it had its roots not only in Platonism but also in the Platonic speculations of humanism and in the chivalric idealization of love in medieval romance.

Drama and prose

The poetry of the English Renaissance between 1580 and 1660 was the result of a remarkable outburst of energy. It is, however, the drama of roughly the same period that stands highest in popular estimation. The works of its greatest representative, William Shakespeare, have achieved worldwide renown. In the previous Middle English period there had been, within the church, a gradual broadening of dramatic representation of such doctrinally important events as the angel's announcement of the resurrection to the women at the tomb of Christ. Ultimately, performances of religious drama had become the province of the craft guilds, and the entire Christian story, from the creation of the world to the last judgment, had been reenacted for secular audiences. The Renaissance drama proper rose from this late medieval base by a number of transitional stages ending about 1580. A large number of comedies, tragedies, and examples of intermediate types were produced for London theaters between that year and 1642, when the London theaters were closed by order of the Puritan Parliament. Like so much nondramatic literature of the Renaissance, most of these plays were written in an elaborate verse style and under the influence of classical examples, but the popular taste, to which drama was especially susceptible, required a flamboyance and sensationalism largely alien to the spirit of Greek and Roman literature.

William Shakespeare

Elizabethan tragedy and comedy alike reached their true flowering in Shakespeare's works. Beyond his art, his rich style, and his complex plots, all of which surpass by far the work of other Elizabethan dramatists in the same field, and beyond his unrivaled projection of character, Shakespeare's compassionate understanding of the human lot has perpetuated his greatness and made him the representative figure of English literature for the whole world.

William Shakespeare (baptised 26 April 1564 – 23 April 1616) was an English poet and playwright, now widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.