Experiment: Adopting Statuses in a Simulated Prison 


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Experiment: Adopting Statuses in a Simulated Prison



Social psychologist Philip Zimbardo and his colleagues designed an experiment to observe the behavior of people without criminal records in a mock "prison." They were amazed at the rapidity with which statuses were adopted and roles fulfilled by the college students playing "prisoners" and "guards." This experiment reveals the ease with which people can be socialized to statuses and roles. Zimbardo's own words describe the design and results of this experiment.

In an attempt to understand just what it means... to be a prisoner or a prison guard, Craig Haney, Curt Banks, Dave Jaffe and I created our own prison. We carefully screened over 70 volunteers who answered an ad in a Palo Alto city newspaper and ended up with about two dozen young men who were selected to be part of this study. They were mature, emotionally stable, normal, intelligent college students from middle-class homes.... They appeared to represent the cream of the crop of this generation. None had any criminal record....

Half were arbitrarily designated as prisoners by a flip of a coin, the others as guards. These were the roles they were to play in our simulated prison. The guards... made up their own formal rules for maintaining law, order and respect, and were generally free to improvise new ones during their eight-hour, three-man shifts. The prisoners were unexpectedly picked up at their homes by a city policeman in a squad car, searched, handcuffed, fingerprinted, booked at the Palo Alto station house and taken blindfolded to our jail. There they were stripped, deloused, put into a uniform, given a number and put into a cell with two other prisoners where they expected to live for the next two weeks....

At the end of only six days we had to close down our mock prison because what we saw was frightening. It was no longer apparent to most of the subjects (or to us) where reality ended and their roles began. The majority had indeed become prisoners or guards, no longer able to clearly differentiate between role playing and self. There were dramatic changes in virtually every aspect of their behavior, thinking and feeling.... We were horrified because we saw some boys (guards) treat others as if they were despicable animals, taking pleasure in cruelty, while other boys (prisoners) became servile, dehumanized robots who thought only of escape, of their own individual survival and of their mounting hatred for the guards. We had to release three prisoners in the first four days because they had such acute situational traumatic reactions as hysterical crying, confusion in thinking, and severe depression. Others begged to be paroled, and all but three were willing to forfeit all the money they had earned [$15 per day] if they could be paroled. By then (the fifth day) they had been so programmed to think of themselves as prisoners that when their request for parole was denied they returned docilely to their cells....

About a third of the guards became tyrannical in their arbitrary use of power, in enjoying their control over other people. They were corrupted by the power of their roles and became quite inventive in their techniques of breaking the spirit of the prisoners and making them feel they were worthless.... By the end of the week the experiment had become a reality....

 

Working with the Research

1. If you were asked to discuss Zimbardo's experiment in light of one of the three major theoretical perspectives, which would you choose? Why?

2. One of Zimbardo's conclusions, not stated in the above account, is that the brutal behavior found in real-life prisons is not due to the antisocial characteristics or personality defects of guards and prisoners. Can you argue, sociologically, that he is right in this conclusion? How?

3. There was some controversy over the ethics of this experiment. Do you think this experiment could be carried out today under the ASA Code of Ethics? Why or why not?

 

Rights and Obligations

An expected behavior associated with a particular status is a role. Any status carries with it a variety of roles. The roles of a modern doctor, for example, include keeping informed about new medical developments, scheduling office appointments, diagnosing illnesses, and prescribing treatments.

Roles can be thought of as statuses "in action." Whereas statuses describe positions, roles describe behaviors. These behaviors are based on the rights and obligations attached to various statuses. Rights are behaviors that individuals expect from others. Obligations are behaviors that individuals are expected to perform toward others. The rights of one status correspond to the obligations of another. Doctors, for example, are obligated to diagnose their patients' illnesses. Correspondingly, patients have the right to expect their doctors to diagnose to the best of their ability. Teachers have an obligation to be prepared to teach the daily lesson. Students have a right to expect that teachers will be adequately prepared to explain the material. Correspondingly, teachers have a right to expect that students will make the attempt to learn. Students have the obligation to make that effort.

Statuses and roles provide the basis for group life. It is primarily when people interact with each other socially that they "perform" in the roles attached to their statuses.

Role performance is the actual conduct, or behavior, involved in carrying out (or performing) a role. Role performance can occur without an audience (as when a student studies alone for a test). Most role performance, though, involves social interaction.

Social interaction is the process of influencing each other as people relate. For example, before two boys begin to fight, they have probably gone through a process of insulting and challenging each other. Fortunately, most social interaction is not as negative and violent, but the same process of influence and reaction to others is involved.

Think again of the analogy of the play. If statuses are like the parts in a play and roles are like the script, then social interaction represents the way actors respond to cues given by other actors. Role performance is the performance itself.

How does play-acting differ from social interactions? The play analogy is a valid one, but it is dangerous to take it too far. For one thing, "delivery of the lines" in real life is not the conscious process used by actors. Unlike stage performances, most real-life role performance occurs without planning.

Second, although actors may sometimes ad-lib, change lines to suit themselves, and so forth, overall they stick pretty closely to the script. Departures are fairly easy to detect and control. This is not the case with differences between a role and a role performance.

Third, on the stage, there is a programmed and predictable relationship between cues and responses. One performer's line is a cue for a specific response from another actor. In life, we can choose our own cues and responses. A student may decide to tell a teacher that her tests are the worst he has ever encountered. On hearing this, the teacher may tell the student that it is not his place to judge, or the teacher may ask for further explanation so that improvement may be made. In effect, the teacher can choose from several roles to play at that time. Likewise, the student can choose from a variety of responses to the teacher's behavior. If the teacher tells the student he is out of line, the student may report the matter to a counselor, or he may decide to forget it altogether. The process of choosing the role and then acting it out occurs in nearly all instances of social interaction.

Keep in mind, however, that the range of responses is not limitless. Only certain responses are culturally acceptable. It is not an appropriate response for the teacher to bodily eject the student from her classroom, and the student would be very foolish to pound the teacher's desk in protest.

The first link between culture and social structure is the concept of role (behavior associated with a status). Roles are in turn attached to statuses (a position a person occupies within a group). Yet people do not always follow roles exactly. The manner in which roles are actually carried out is role performance, the third link in the conceptual chain. Role performance occurs through social interaction. This is the fourth link between culture and social structure. Social interaction based on roles is observable as patterned relationships, which make up social structure. In turn, existing social structure affects the creation of and changes in culture.



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